"There Is Still Time" by Lorn had its release date on 2015. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "The Maze To Nowhere". In this album, this song's track order is #1. In terms of popularity, There Is Still Time is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With There Is Still Time by Lorn having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jenova | Ital Tek | D♭ Major | 4 | 3B | 170 BPM | ||
| Dark Materials | Blanck Mass | D♭ Major | 5 | 3B | 150 BPM | ||
| I AM A DAGGER | Lorn | B Minor | 2 | 10A | 154 BPM | ||
| Eye Contact | Richard Lacy, Sarah Mac | A♭ Major | 4 | 4B | 124 BPM | ||
| SIGNAL LOST | Tineidae | B Major | 5 | 1B | 140 BPM | ||
| Between Two Breaths | Night Gestalt | A Minor | 2 | 8A | 74 BPM | ||
| Sweet Home | We Could Die Here | F Minor | 6 | 4A | 113 BPM | ||
| Sky Burial | Rafael Anton Irisarri | D♭ Minor | 2 | 12A | 91 BPM | ||
| Immemorial | Apocryphos, Kammarheit, Atrium Carceri | B♭ Major | 2 | 6B | 71 BPM | ||
| Gray-Tinged Suburbs | Mount Shrine | G Minor | 1 | 6A | 83 BPM | ||
| Novu Hisy | Digital Moss | G Major | 5 | 9B | 86 BPM | ||
| Come, Triumph | Wordclock | F Minor | 4 | 4A | 157 BPM | ||
| The Puppets Dream | Wojciech Golczewski | B♭ Minor | 3 | 3A | 165 BPM | ||
| Simply | Slakker | A Minor | 1 | 8A | 86 BPM | ||
| Ones Atop the Unknown | Apocryphos, Atrium Carceri, Kammarheit | D♭ Major | 1 | 3B | 81 BPM | ||
| Haust | Tomasz Mreńca | E Minor | 5 | 9A | 145 BPM | ||
| Lack of Language | Wordclock | A♭ Minor | 4 | 1A | 81 BPM | ||
| Staggered | Ital Tek | F♯ Major | 5 | 2B | 119 BPM | ||
| You Couldn't Live For Very Long Without A Heart | REPULSIVE | G Major | 0 | 9B | 82 BPM | ||
| Jupiter Missiles | The Great Vorelli | G Major | 4 | 9B | 138 BPM | ||
| Glimmer | Hannes Kretzer | G Major | 9 | 9B | 120 BPM | ||
| Unbecoming | Wordclock | F♯ Major | 5 | 2B | 128 BPM | ||
| Remember | West Dylan Thordson | B Major | 2 | 1B | 89 BPM | ||
| Riptide | Jacob Haage, Sarah Assbring | E♭ Major | 2 | 5B | 118 BPM | ||
| Seraph I | How to Disappear Completely | F♯ Minor | 1 | 11A | 137 BPM |