Pedro Laurenz's ' "Naranjo en Flor" was released on its scheduled release date, January 9, 1924. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Naranjo en Flor's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ¡Ay, Mis Amores!, so we believe that "Naranjo en Flor" is a single. Based on our statistics, Naranjo en Flor's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Naranjo en Flor by Pedro Laurenz is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantemos Corazon | Roberto Florio, Orquesta Carlos di Sarli | D♭ Minor | 3 | 12A | 111 BPM | ||
| Jueves | Juan D'Arienzo and his Orchestra | B Minor | 4 | 10A | 131 BPM | ||
| Espérame En El Cielo | Rodolfo Biagi | G Minor | 5 | 6A | 122 BPM | ||
| Marión | Orquesta Típica Sans Souci | G Major | 3 | 9B | 123 BPM | ||
| Largas las Penas | The Alex Krebs Tango Sextet | F Major | 3 | 7B | 170 BPM | ||
| Garufa | Trio Hugo Diaz | G Major | 4 | 9B | 124 BPM | ||
| Mano Blanca | Angel D'Agostino Y Su Orquesta Típica | C Minor | 2 | 5A | 122 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Alas | Osvaldo Fresedo y su Orquesta Típica | C Major | 3 | 8B | 135 BPM | ||
| Garufa | Nina Miranda, Donato Racciatti y Su Orquesta Típica | D Major | 5 | 10B | 142 BPM | ||
| Derecho Viejo | Los Reyes Del Tango | F Minor | 5 | 4A | 140 BPM | ||
| Milonga del '83 | La Juan D'Arienzo | G Major | 5 | 9B | 107 BPM | ||
| Milonga criolla - Remastered | Francisco Canaro Y Su Orquesta Tipica | D♭ Major | 3 | 3B | 168 BPM | ||
| Fumando Espero | Roberto Florio, Orquesta Carlos di Sarli | G Minor | 4 | 6A | 102 BPM | ||
| Yo Soy el Tango | Aníbal Troilo, Francisco Fiorentino | C Major | 2 | 8B | 108 BPM | ||
| Sin Sabor | Orquesta Social Tango | G Major | 4 | 9B | 135 BPM | ||
| Derecho Viejo | La Juan D'Arienzo | F Minor | 4 | 4A | 135 BPM | ||
| Como Se Hace un Tango | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Torrente | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| El Cielo y Tu | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Asi se canta | Ricardo Tanturi y Enrique Campos | F Minor | 4 | 4A | 123 BPM | ||
| Loca | Orquesta Juan D' Arienzo | A Minor | 4 | 8A | 129 BPM | ||
| Trasnochando | Angel D'Agostino Y Su Orquesta Típica | D Minor | 2 | 7A | 117 BPM | ||
| Soñemos | Hugo Duval y Rodolfo Biaggi | B♭ Major | 2 | 6B | 121 BPM | ||
| La cumparsita | Pedro Laurenz, Pedro Maffia, Duo de bandoneones, Gerardo Matos Rodríguez, Pascual Contursi | A♭ Minor | 2 | 1A | 125 BPM |