On August 5, 1987, the song "Phudak Phudak Ke Na Chal" was released by Usha Mangeshkar, Kishore Kumar. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 5 in Aage Ki Soch by Raamlaxman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Phudak Phudak Ke Na Chal is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Phudak Phudak Ke Na Chal by Usha Mangeshkar, Kishore Kumar is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raqs Mein Hai Saara Jahan | Arun Ingle | D Major | 6 | 10B | 178 BPM | ||
| Malik Jage Banda Sove | Hari Om Sharan | D♭ Major | 6 | 3B | 79 BPM | ||
| Prem Hai Deepak Raag | Afroz Banu | A♭ Major | 4 | 4B | 118 BPM | ||
| Naach Mere Lala | Nalin Dave, Sapna Mukherjee, Pooran Singh | G Minor | 8 | 6A | 174 BPM | ||
| Aas Nirash Ke Biche Babua | Alok Kumar | A Major | 7 | 11B | 86 BPM | ||
| Commentry Tabassum And Pyar Diwana Hota Hai | Tabassum, Kishore Kumar | F Major | 6 | 7B | 124 BPM | ||
| Na Chithiyan Na Koi Sandesa | Shobha Joshi | E♭ Major | 5 | 5B | 74 BPM | ||
| Roothega Rab Toh Mana Loonga | Sudesh Bhosle | E Minor | 7 | 9A | 140 BPM | ||
| Paisa Jis Ke Paas Hai | Jatin Pandit | F Major | 5 | 7B | 100 BPM | ||
| Yeh Mausam Suhana | Salma Agha | F♯ Minor | 5 | 11A | 159 BPM | ||
| Lag Ja Gale Se | Nitin Mukesh, Usha Mangeshkar | E Major | 5 | 12B | 77 BPM | ||
| Dheere Dheere Chal | Udit Narayan | A♭ Major | 9 | 4B | 88 BPM | ||
| Tere Chehre Se Nazar Nahin - Stereo Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Kishore Kumar | F♯ Minor | 6 | 11A | 125 BPM | ||
| Sarakti Jaye Hai - Jhankar Beats | Hero And King Of Jhankar Studio, Kishore Kumar, Lata Mangeshkar | G Major | 5 | 9B | 107 BPM | ||
| Mamta Bawri | Ravindra Jain, Hemlata | F Major | 4 | 7B | 82 BPM | ||
| Thag Harva Re Kahe | Jaspal Singh, Deepmala | F♯ Major | 9 | 2B | 154 BPM | ||
| Jahan Chaar Yaar Mil Jayen | Amitabh Bachchan, Kishore Kumar | G Major | 7 | 9B | 130 BPM | ||
| Kis Naam Se Pukaroon | Hassan Jahangir | F Minor | 8 | 4A | 123 BPM | ||
| Shalu Banarasi | Usha Mangeshkar | A♭ Major | 6 | 4B | 96 BPM | ||
| Tu Man Ki Ati Bhori | Chandrani Mukherjee, Ravindra Jain | D Major | 2 | 10B | 133 BPM | ||
| Mera Kunwara Padosi | Amit Kumar, Kavita Krishnamurthy, Laxmikant–Pyarelal | G Minor | 6 | 6A | 126 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| Commentry Tabassum And Kora Kagaz Tha Yeh Man Mera | Tabassum, Kishore Kumar, Lata Mangeshkar, S. D. Burman | B♭ Major | 5 | 6B | 100 BPM | ||
| Mujh KO Khuda Mil Gaya | Shabbir Kumar, Dilraj Kaur | B Minor | 8 | 10A | 141 BPM | ||
| Uthao Jaam Chalo Dono Saath Saath | Suman Kalyanpur | A♭ Major | 7 | 4B | 75 BPM |