On April 18, 2017, the song "Mithe Ras Se Bharyo Re Radha" was released by Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 33 in Bhiksha Dene Maiya Pingala by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mithe Ras Se Bharyo Re Radha is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mithe Ras Se Bharyo Re Radha by Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holi Khelan Aayo Shyam | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Apka pyar Baba yun hi barasata rahe | Brahma Kumaris | C Major | 4 | 8B | 126 BPM | ||
| Aaj Vagdavo Ruda Sharnayu Ne Dhol | Lalita Ghodadra | F Major | 8 | 7B | 145 BPM | ||
| Mathiya Mai Jake Boye Jaware | Shahnaz Akhtar | B Minor | 9 | 10A | 128 BPM | ||
| Jain Dharam Ke Hire Moti | Pawan Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| TAN MAN DHAN | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Umiya Maa Ni Aarti - Original | Jayesh Ravat, Priti Patel | B♭ Minor | 10 | 3A | 110 BPM | ||
| Aaj Yamunaji Padharya Mare Gher Re | Urvashi Pandya | D Major | 7 | 10B | 101 BPM | ||
| Prabhatiya | Ramdas gondliya, Damyanti Bardai | A♭ Major | 9 | 4B | 144 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Ramne Samri Le | Hari Bharwad | D♭ Major | 6 | 3B | 143 BPM | ||
| NAND JI NO LALO KANUDO | Nidhi Dholkiya | C Major | 5 | 8B | 117 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| HU TARO LALO O MAIYA | Nidhi Dholkia | C Major | 6 | 8B | 88 BPM | ||
| Hu To Samru Ramapir | Kinjal Dave | A♭ Major | 8 | 4B | 118 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM | ||
| Hala Vala Mare Hirani Dori | Kiran Prajapati | A♭ Minor | 9 | 1A | 135 BPM | ||
| Gharda Gharma Bethi Mavadi | Hari Bharwad | A Minor | 5 | 8A | 79 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Rana Ji Ne Jai Ne Kejo Re Fari Jer Mokle | Lalita Ghodadra | A♭ Major | 6 | 4B | 155 BPM | ||
| Tum kalyani ho mahamai | Shahnaz Akhtar | B Minor | 9 | 10A | 127 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Banno To Mahara Shyam Sunder Awtar | Seema Mishra | B Major | 8 | 1B | 105 BPM | ||
| Bhole Teri Jata Mein | NARAYANSWAMI | C Major | 7 | 8B | 117 BPM |