Peter Cole's 'Back on the Field' had a release date set for October 20, 2021. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Back on the Field's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "ORCHESTRAL HIP HOP FOR SPORTS". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Back on the Field is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Back on the Field by Peter Cole having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Leaving The Tribe | Peter Cole | G Major | 5 | 9B | 180 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| "Der Schwan" für Flügelhorn und Harfe | Bavarian Brass | A♭ Major | 0 | 4B | 109 BPM | ||
| Sonata III in F major: Largo | Carl Lenthe | F Major | 0 | 7B | 66 BPM | ||
| Miserere | Robert Mallorie, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 89 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | E Minor | 1 | 9A | 75 BPM | ||
| Thaïs: Méditation - Arranged for Flute and Piano by Anete Toča | Jules Massenet, Anete Toča, Mārtiņš Zilberts | D Major | 1 | 10B | 137 BPM | ||
| Hino 245 - Não Pode Entender o Mundo | Orquestra Sacra Paulista | G Major | 1 | 9B | 87 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E Minor | 1 | 9A | 75 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Ultima luce | Ingo Höricht, Michael Berger | A♭ Major | 1 | 4B | 85 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Violin Concerto No. 2, Op. 89a: IV. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 0 | 7B | 136 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | E Minor | 1 | 9A | 75 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Humoreske | Alexander von Zemlinsky, Atéa Quintet | B♭ Major | 0 | 6B | 84 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | E Minor | 1 | 9A | 75 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | F Major | 0 | 7B | 70 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 18. Harlequin and Columbina at Home | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E Minor | 1 | 9A | 75 BPM |