Royal Pops Orchestra's '栄光への脱出 「栄光への脱出」より' had a release date set for 1987. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 栄光への脱出 「栄光への脱出」より's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 永遠のスクリーン・ミュージック・ベスト, so we believe that "栄光への脱出 「栄光への脱出」より" is a single. In terms of popularity, 栄光への脱出 「栄光への脱出」より is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 栄光への脱出 「栄光への脱出」より by Royal Pops Orchestra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Singing My Song | Melitop | C Minor | 5 | 5A | 174 BPM | ||
| 秋桜 | Sam Taylor | C Minor | 4 | 5A | 152 BPM | ||
| 白い渚のブルース | ビリー・ヴォーン楽団 | C Major | 1 | 8B | 99 BPM | ||
| エデンの東 [エデンの東より] | スクリーン・サウンド・アート・オーケストラ | C Major | 3 | 8B | 91 BPM | ||
| Sunrise Serenade | Horst Jankowski | C Major | 2 | 8B | 75 BPM | ||
| センチになって | ビリー・ヴォーン楽団 | E♭ Major | 2 | 5B | 96 BPM | ||
| Toselli Serenade | Horst Jankowski | G Minor | 4 | 6A | 142 BPM | ||
| メモリー - 「キャッツ」より | ピエール・ポルト・オーケストラ | A♭ Major | 6 | 4B | 131 BPM | ||
| Tunay Na Tunay (Very True) | Leopoldo Silos | E♭ Major | 2 | 5B | 95 BPM | ||
| Lara's Theme | The Melachrino Strings | G Major | 2 | 9B | 80 BPM | ||
| The Wedding Samba | The Ray Miranda Orchestra | B♭ Minor | 8 | 3A | 113 BPM | ||
| 花心 | 中国上海管弦乐团演奏 | B Minor | 8 | 10A | 91 BPM | ||
| Roses of Picardy | Victor Silvester and His Ballroom Orchestra | D Minor | 5 | 7A | 117 BPM | ||
| The Waltzing Bugle Boy | The Swingin' Marchin' Band, Ray Martin | B♭ Major | 4 | 6B | 97 BPM | ||
| Canta ao Pai | Cordas Divinas | G Major | 1 | 9B | 115 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| ゴッドファーザー愛のテーマ | Sam Taylor | C Minor | 3 | 5A | 143 BPM | ||
| 国際線待合室 | Sam Taylor And His Orchestra | A♭ Major | 2 | 4B | 81 BPM | ||
| Minsan | Pedro Concepcion | D Minor | 1 | 7A | 87 BPM | ||
| ハイ・ヌーン ~真昼の決闘 | マントヴァーニ楽団 | B♭ Major | 0 | 6B | 101 BPM | ||
| Baubles, Bangles and Beads | The Percy Faith Strings | C Major | 4 | 8B | 137 BPM | ||
| グリーンスリーブス | マントヴァーニ楽団 | A Minor | 1 | 8A | 76 BPM | ||
| 夜霧のしのび逢い | Sam Taylor | D Minor | 3 | 7A | 102 BPM | ||
| 愚かなりわが心 | ビクター・ヤング楽団 | G Major | 4 | 9B | 83 BPM | ||
| Lovers in Paris | Lou Logist, Ray Ventura Orchestra, Ray Ventura, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, Stuttgart Radio Orchestra, The Melachrino Orchestra | G Major | 3 | 9B | 166 BPM |