On July 9, 2020, the song "Amba Maa Na Beshna" was released by Ramesh Parmar, Rekha Rathod. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ikbal's "Jay Ambe Maa" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Amba Maa Na Beshna is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Amba Maa Na Beshna by Ramesh Parmar, Rekha Rathod to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tujh Pe Marta Hoon | Chhote Majid Shola | B♭ Major | 6 | 6B | 119 BPM | ||
| Tara Ko Chudo Mahra Hath Ma | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Duniya Ye Chalawa Hai | Sanjay Mittal | F Major | 6 | 7B | 96 BPM | ||
| Aisi Bhakti Karne Se Tu | Parmod Kumar | G Minor | 6 | 6A | 89 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Heera Gawa Gayo | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Chumasa ka Meetha Harjas | Prem Nath | D♭ Major | 9 | 3B | 85 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Japale Harika Naam | Laxman Barot | E♭ Minor | 6 | 2A | 152 BPM | ||
| Maiya Ji Ke Kripa Se Mera Har Kam Hota Hai | Ram Kumar Lakha | F Minor | 10 | 4A | 116 BPM | ||
| guga ji ki paidi | Ashu Verma | E♭ Major | 6 | 5B | 103 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Raivar Nadi Kinare Patang Udade | Meena Patel, Ramesh Parmar | A♭ Major | 8 | 4B | 101 BPM | ||
| Mera Bajarang Sote Wala | Manish Tiwari | D♭ Major | 5 | 3B | 93 BPM | ||
| Suwa Title Music Tari Hari Nana Suwa Geet | Bhupendra Sahu | G Major | 5 | 9B | 69 BPM | ||
| Kurban Kyun Na Jaun Darbar | Baldev Krishna (Jagadhari Wale) | E♭ Minor | 8 | 2A | 115 BPM | ||
| O Dhadhak Aagi Mam | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Sabal Singh Bawari Ka Bulawa | Rajphool Kuchrania | B♭ Major | 4 | 6B | 119 BPM | ||
| Jejuricha Raja Devhari Sonyachya | Chhagan choughule | A♭ Major | 8 | 4B | 97 BPM | ||
| Jaha Viraje Radha Rani | Kunj Bihari Das | C Major | 7 | 8B | 115 BPM | ||
| Mere Manwa Kya Hai Jag Mein Tera | Pt. Gyanendra Sharma | D Major | 3 | 10B | 81 BPM | ||
| Piya Chhod Gaye Dil Tod Gaye | Rajeev Singh | C Minor | 10 | 5A | 97 BPM | ||
| Charno Main Teri Maiya | Kushal Barath, Mahendra | A Major | 5 | 11B | 110 BPM | ||
| Jai Badri Kedarnaath | Suresh Kala | F Major | 8 | 7B | 142 BPM | ||
| Bhala Bhanejda | Mathurbhai Kanjariya, Ramesh Parmar | G Major | 8 | 9B | 80 BPM |