Stephen Barton's 'First to Fall' had a release date set for April 8, 2014. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Titanfall". In this album, this song's track order is #16. Based on our statistics, First to Fall's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With First to Fall by Stephen Barton having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Underworld | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 87 BPM | ||
| Warzone | Power Glove | C Minor | 8 | 5A | 105 BPM | ||
| Belle of the Balloon | Chris Tilton, Assassin's Creed | D Minor | 5 | 7A | 100 BPM | ||
| Miserable Wretches | Kevin Riepl, Gears of War | F Major | 7 | 7B | 145 BPM | ||
| Virus | Sean Murray | D Major | 6 | 10B | 170 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| Albion | Sean Murray | C Minor | 4 | 5A | 154 BPM | ||
| Imminent Danger | Elitsa Alexandrova, Assassin's Creed | D♭ Major | 7 | 3B | 130 BPM | ||
| The Final Combat | Stuart Chatwood | A♭ Major | 9 | 4B | 136 BPM | ||
| The Three Towers | Stephen Barton | A♭ Major | 4 | 4B | 120 BPM | ||
| Under Assault | Tilman Sillescu | B Minor | 5 | 10A | 132 BPM | ||
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| Memories | John Paesano | C Minor | 1 | 5A | 76 BPM | ||
| A Better Beginning | John Paesano | C Major | 2 | 8B | 128 BPM | ||
| Battle For Supremacy (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | A Minor | 6 | 8A | 120 BPM | ||
| V-a-L-H-a-L-L-A | Mick Gordon | D Major | 2 | 10B | 94 BPM | ||
| Rushing | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| One More Escape | Joseph Trapanese | D♭ Major | 9 | 3B | 159 BPM | ||
| Combat & Extras: E:D Menus | Erasmus Talbot | A Minor | 2 | 8A | 115 BPM | ||
| Voltage | Big Giant Circles | D Minor | 9 | 7A | 130 BPM | ||
| Substation | Stephen Barton | A♭ Major | 4 | 4B | 148 BPM | ||
| The Last Ascent | Sophus Alf, Troels Rohde Jørgensen | A Major | 2 | 11B | 79 BPM | ||
| Marigny | Wilbert Roget, II | D Major | 5 | 10B | 129 BPM | ||
| Incoming Menace | Nicolas de Ferran | D♭ Major | 4 | 3B | 120 BPM |