On August 30, 2016, the song "The Turn of the Rope" was released by John Fiddy. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Turn of the Rope's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Authentic Ireland II by John Fiddy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, The Turn of the Rope's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Turn of the Rope by John Fiddy is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 1) Waiting for the Robert, E Lee; 2) California Here I Come; 3) Swanee | John Sidney | F Major | 5 | 7B | 114 BPM | ||
| Once Upon a Dream | Clive Richardson | G Major | 2 | 9B | 85 BPM | ||
| Non Stop | John Malcolm | F Major | 6 | 7B | 143 BPM | ||
| Take the Plunge | Heinz Kiessling | C Major | 3 | 8B | 123 BPM | ||
| Girl in a Sportscar | Alan Hawkshaw | F♯ Major | 5 | 2B | 95 BPM | ||
| Theme One | George Martin | A Minor | 8 | 8A | 141 BPM | ||
| Star Parade | Tony Kinsey | G Minor | 4 | 6A | 152 BPM | ||
| Match Play | Syd Dale | C Major | 7 | 8B | 81 BPM | ||
| Theme (From "The Magnificent Seven") - From "The Magnificent Seven" | Elmer Bernstein | B♭ Major | 6 | 6B | 86 BPM | ||
| Midnight in Moscow (Moscow Nights) | Charles Shirley | G Minor | 1 | 6A | 113 BPM | ||
| Cumana | Dick Hyman | A Minor | 4 | 8A | 147 BPM | ||
| Fruity Flutes (Farmhouse Kitchen) | Reg Wale | F Major | 3 | 7B | 99 BPM | ||
| Friends and Neighbours | Alan Hawkshaw | B♭ Minor | 3 | 3A | 119 BPM | ||
| Fine and Dandy | John Fiddy, Otto Sieben, Odeon Orchestra, Sissi Gossner | A♭ Major | 2 | 4B | 100 BPM | ||
| No One Higher | Marc Ezenge | D♭ Major | 0 | 3B | 78 BPM | ||
| Man, Go Man! | Ralph Dollimore | F Minor | 7 | 4A | 88 BPM | ||
| Little Serenade | Gerhard Narholz, John Fiddy, Sonoton Film Orchestra | D Major | 2 | 10B | 126 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| Tom Fool | Van Phillips, The Connaught Light Orchestra | C Major | 4 | 8B | 124 BPM | ||
| We Plough the Fields and Scatter | Traditional, John Fiddy, Orchestra John Fiddy | F Major | 4 | 7B | 125 BPM | ||
| A Little Question | Werner von Overheidt, John Fiddy, Sonoton Film Orchestra | G Major | 3 | 9B | 169 BPM | ||
| Stronger | Pheroteia | C Major | 5 | 8B | 145 BPM | ||
| Demande Et Reponse | Samuel Coleridge-Taylor, John Fiddy, Sonoton Film Orchestra, Marcia Crayford | G Major | 4 | 9B | 120 BPM | ||
| Like Mike | Tugdoh | A Major | 1 | 11B | 112 BPM | ||
| Maigret (Granada TV) | Nigel Hess, The London Film Orchestra, Olive Simpson | G Minor | 2 | 6A | 174 BPM |