Paul McDonald's ' "Come On" was released on its scheduled release date, June 1, 2018. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul McDonald's "Modern Hearts" album is number 10 out of 14. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Come On is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Come On by Paul McDonald to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amazing Eyes | Good Old War | C Major | 4 | 8B | 148 BPM | ||
| The Violet Hour | Sea Wolf | D Major | 7 | 10B | 182 BPM | ||
| Nearly Morning | Luke Sital-Singh | C Major | 3 | 8B | 132 BPM | ||
| Desire | Ryan Adams | G Major | 2 | 9B | 154 BPM | ||
| What Part of Forever - From the Twilight Saga: Eclipse Soundtrack | CeeLo Green | C Major | 7 | 8B | 145 BPM | ||
| All In a Day | The Open Sea | D♭ Major | 1 | 3B | 103 BPM | ||
| Who Saved Who | Mindy Smith, Matthew Perryman Jones | C Major | 4 | 8B | 120 BPM | ||
| Bill Murray | Matt Nathanson | F♯ Major | 2 | 2B | 83 BPM | ||
| Shelter | Ray LaMontagne | G Major | 1 | 9B | 120 BPM | ||
| When the Music's Not Forgotten | Deadman | E Major | 3 | 12B | 145 BPM | ||
| Vampire's Kiss | John Gold | A Major | 5 | 11B | 144 BPM | ||
| Now That I've Found You (Version 2) | Paul McDonald & Nikki Reed | D♭ Major | 6 | 3B | 86 BPM | ||
| Say It Anyway | Rosi Golan | B♭ Minor | 9 | 3A | 126 BPM | ||
| Some Streets Lead Nowhere | Matthew Ryan | E♭ Major | 3 | 5B | 139 BPM | ||
| Kiss Quick | Matt Nathanson | D♭ Major | 5 | 3B | 115 BPM | ||
| Girl You're Alright | Paul Otten | D♭ Minor | 8 | 12A | 90 BPM | ||
| My Heart With You | The Rescues | D♭ Major | 0 | 3B | 130 BPM | ||
| What Have We Become | The Sweeplings | D Major | 2 | 10B | 75 BPM | ||
| When You Sleep | Mary Lambert | F♯ Major | 2 | 2B | 135 BPM | ||
| Wait for Me | Motopony | F♯ Major | 6 | 2B | 160 BPM | ||
| Brooklyn Blurs | The Paper Raincoat | A Major | 6 | 11B | 85 BPM | ||
| Unwind | Paul McDonald | G Major | 7 | 9B | 79 BPM | ||
| Always Remember Me (feat. Sara Bareilles) | Ry Cuming, Sara Bareilles | E Major | 1 | 12B | 99 BPM | ||
| Transatlanticism | Wenzel Templeton, Robert Pegg | A Major | 3 | 11B | 127 BPM | ||
| Forever and Ever | Royal Wood | B♭ Major | 9 | 6B | 204 BPM |