"It's All a Deep End" by Paul Leonard-Morgan had its release date on September 21, 2012. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. It's All a Deep End's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 22 in Dredd (Original Motion Picture Soundtrack) by Paul Leonard-Morgan. In terms of popularity, It's All a Deep End is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It's All a Deep End by Paul Leonard-Morgan is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The End of Donna's Day | Paul Haslinger | D Major | 0 | 10B | 69 BPM | ||
| Adagio For Julia | The Prestige | A Minor | 1 | 8A | 71 BPM | ||
| Out | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 99 BPM | ||
| Refugees | Ben Salisbury, Geoff Barrow | D Minor | 3 | 7A | 76 BPM | ||
| Prospect | Daniel L.K. Caldwell | E♭ Major | 1 | 5B | 81 BPM | ||
| Follow the Fahr | Daniel L.K. Caldwell | E Minor | 0 | 9A | 80 BPM | ||
| Eddie Is Sick | Paul Leonard-Morgan | A Minor | 6 | 8A | 92 BPM | ||
| Turn Hell Hound - From "Macbeth" Soundtrack | Jed Kurzel | C Major | 9 | 8B | 140 BPM | ||
| Bring It To My Turf | Jed Kurzel | D♭ Major | 4 | 3B | 120 BPM | ||
| Morning Of | Colin Stetson | C Major | 1 | 8B | 88 BPM | ||
| Project Log | Lovett | D♭ Major | 1 | 3B | 66 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Kang Tao Down | P.T. Adamczyk | D Major | 5 | 10B | 108 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| Oppression | Johan Skugge, Jukka Rintamäki | A Major | 4 | 11B | 180 BPM | ||
| X-Files (UNKLE Variation on a Theme Surrender Sounds Session #10) | Mark Snow | A Minor | 8 | 8A | 120 BPM | ||
| First and Last | Michael McCann | G Major | 9 | 9B | 130 BPM | ||
| Things To Come | Ryan Amon | C Major | 0 | 8B | 88 BPM | ||
| Are You a Robot | Philip Glass, Paul Leonard-Morgan | E Major | 0 | 12B | 153 BPM | ||
| Catching Bad Guys | Steve Jablonsky | G Major | 4 | 9B | 166 BPM | ||
| SD Cards | Adam Peters | F Major | 2 | 7B | 75 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Capa Suits Up | John Murphy | E Minor | 5 | 9A | 155 BPM | ||
| First Contact Part 1 | Steve Jablonsky | E Major | 2 | 12B | 92 BPM | ||
| Falling | Ben Salisbury, Geoff Barrow | A♭ Major | 0 | 4B | 93 BPM |