"Making Friends with an Idea" by Adelaide Symphony Orchestra, Paul Rissmann, Tilda Cobham-Hervey, Young Adelaide Voices had its release date on October 12, 2022. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What Do You Do with an Idea? by Various Artists. The song's track number on the album is #4 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Making Friends with an Idea's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Making Friends with an Idea by Adelaide Symphony Orchestra, Paul Rissmann, Tilda Cobham-Hervey, Young Adelaide Voices has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Making Friends with an Idea being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avatar (The Theme) | The Piano Guys | B Major | 4 | 1B | 104 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| Am Ende der Stille | Lacrimosa | D Major | 4 | 10B | 140 BPM | ||
| Main Title - From "Star Trek: Voyager" | Jerry Goldsmith, Royal Scottish National Orchestra | F♯ Major | 2 | 2B | 138 BPM | ||
| Praise to the Lord, the Almighty | Larry Hall | E♭ Major | 2 | 5B | 128 BPM | ||
| Magnificence from the Past (For Trumpet and Orchestra) | Hélène Blazy, Marc Geujon | C Major | 4 | 8B | 158 BPM | ||
| Soarin' Around the World | Jerry Goldsmith, Untitled Virtual Ensemble | F Major | 3 | 7B | 116 BPM | ||
| Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | ||
| Tomb Raider 3 Medley | Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 139 BPM | ||
| Pride and Prejudice Suite: III. Elizabeth and Mr. Darcy | Carl Davis, Philharmonia Orchestra | E Major | 1 | 12B | 84 BPM | ||
| Always You, Never A Replacement | Murray Gold | C Major | 1 | 8B | 64 BPM | ||
| Four Notes - Paul's Tune - Arr. by Daniel Whibley | Paul Harvey, Daniel Whibley, BBC Philharmonic | F Major | 2 | 7B | 73 BPM | ||
| Morning to Morning | David Foster | G Major | 1 | 9B | 88 BPM | ||
| Cue1 - The Pied Piper (Opening) | Rambu, Dongmyeong Kim | G Major | 2 | 9B | 177 BPM | ||
| E.T.: Flying Theme | John Williams, Boston Pops Orchestra | E Minor | 2 | 9A | 68 BPM | ||
| Flying Theme - From "E.T. the Extra-Terrestrial" | John Williams, Berliner Philharmoniker | G Major | 5 | 9B | 102 BPM | ||
| The Last Emperor (Theme) | Ryuichi Sakamoto | G Major | 1 | 9B | 81 BPM | ||
| Sinfonia A Caballo (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | C Minor | 3 | 5A | 89 BPM | ||
| 弦楽四重奏曲第1番ニ長調 作品11 : 1. アンダンテ カンタービレ | Pyotr Ilyich Tchaikovsky, Saulius Sondeckis, Lithuanian Chamber Orchestra | A Major | 1 | 11B | 105 BPM | ||
| Rock of Ages | Larry Hall | E Major | 1 | 12B | 85 BPM | ||
| Drivers License - Symphony Orchestra Version | Zymphonica | F♯ Minor | 2 | 11A | 111 BPM | ||
| Wessex Loses a Bride - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 2 | 9A | 104 BPM | ||
| The Mimic Is a Cynic | The Dear Hunter, Casey Crescenzo, Brian Adam McCune, Awesöme Orchestra | D Minor | 2 | 7A | 72 BPM | ||
| 川のささやき - オーケストラ版 | Nobuyuki Tsujii | D Major | 1 | 10B | 83 BPM | ||
| 314 - O Teu poder supremo | Orquestra Sacra | A♭ Major | 0 | 4B | 66 BPM |