Franz Anton Hoffmeister, Hartmut Rohde, Georg Mais's 'Concerto in D major: Allegro (Cadenza: Hartmut Rohde)' had a release date set for May 2, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hartmut Rohde, Georg Mais's "Hoffmeister/Telemann/Hindemith/J.C. Bach: Viola Concertos" album is number 4 out of 11. Based on our statistics, Concerto in D major: Allegro (Cadenza: Hartmut Rohde)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto in D major: Allegro (Cadenza: Hartmut Rohde) by Franz Anton Hoffmeister, Hartmut Rohde, Georg Mais to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 91 BPM | ||
| Douze Danses Allemandes - 2 La majeur | Beethoven | F Minor | 1 | 4A | 105 BPM | ||
| Oboe Concerto in C Major | Vincenzo Righini, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 141 BPM | ||
| Sextet in E-Flat Major, Op. 81b: II. Adagio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | A♭ Major | 0 | 4B | 99 BPM | ||
| Clarinet Quintet in A, K. 581: IV. Allegretto | Richard Thomson, The Mozart Effect String Quartet | A Major | 1 | 11B | 129 BPM | ||
| Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 143 BPM | ||
| Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 115 BPM | ||
| Concerto grosso in G, Op. 3, No. 3: 1. Largo e staccato | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | D Major | 2 | 10B | 85 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| Cello Concerto No. 1 in G Major: III. Rondo. Allegro | Carl Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | G Major | 1 | 9B | 136 BPM | ||
| Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Johann Baptist Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | E Major | 0 | 12B | 76 BPM | ||
| String Quartet No. 12 in C Minor, D. 703 "Quartettsatz" | Franz Schubert, Alinde Quartett | C Major | 1 | 8B | 129 BPM | ||
| Keyboard Concerto in C Major, Wq. 20: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 1 | 8B | 136 BPM | ||
| Zémide: Ouverture | Pierre Iso, Reinoud Van Mechelen, A Nocte Temporis | F Major | 1 | 7B | 116 BPM | ||
| Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto. Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 0 | 11B | 143 BPM | ||
| Symphony in F Major, Op. 3, No. 5, W. C5: I. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | F Major | 2 | 7B | 129 BPM | ||
| Douze Danses Allemandes - 6 Sol majeur | Beethoven | F Minor | 1 | 4A | 105 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Zimmermann: Concerto for Two Bassoons - III. Allegro in F Major: III. Allegro | Anton Zimmermann, Risonanza Praga, Ondřej Šindelář, Sergio Azzolini | F Minor | 1 | 4A | 105 BPM | ||
| Keyboard Concerto No. 1 in B-Flat Major: III. Rondo. Allegro | Josef Mysliveček, Clare Hammond, Swedish Chamber Orchestra, Nicholas McGegan | B♭ Major | 1 | 6B | 103 BPM | ||
| Sinfonia In F Major, Wq. 183/3, H. 665: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Viola Concerto in D Major, Op. 1: III. Rondeau | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 99 BPM | ||
| Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
| Keyboard Concerto in D Major, Wq. 43/2, H. 472: I. Allegro di molto | Carl Philipp Emanuel Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | D Major | 2 | 10B | 148 BPM | ||
| Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM |