Pannalal Bhattacharya's 'Tomar Mato Amio To' had a release date set for December 1, 1948. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pannalal Bhattacharya's "Je Beena Bajiye Gele" album is number 1 out of 18. Based on our statistics, Tomar Mato Amio To's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tomar Mato Amio To by Pannalal Bhattacharya to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Dino Bhakte Dekha Dao | Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 153 BPM | ||
| Sagar Sangame | Bhupen Hazarika | E♭ Major | 5 | 5B | 118 BPM | ||
| Tomari Pathpane Chahi | Shyamal Mitra | F Major | 4 | 7B | 104 BPM | ||
| Sanganagagane | Hemanta Mukhopadhyay | D Major | 4 | 10B | 154 BPM | ||
| Maago Shomoy To Thakbe | Anuradha Paudwal | B Major | 4 | 1B | 129 BPM | ||
| Balo Ki Achhe Go | R. D. Burman | B♭ Major | 4 | 6B | 109 BPM | ||
| Amaspandito Ghano Ratri | Pannalal Bhattacharya | A♭ Major | 4 | 4B | 103 BPM | ||
| Bhabo Ki Sonar Chand | Gostho Gopal Das | A Major | 3 | 11B | 94 BPM | ||
| Ei Lobhinu Sanga Tabo | Chinmoy Chatterjee | F Minor | 2 | 4A | 143 BPM | ||
| Jenechhi Jenechhi Tara | Pannalal Bhattacharya | E Major | 3 | 12B | 151 BPM | ||
| Mangaldeep Jwele,Pt. 3 | Bappi Lahiri | G Major | 5 | 9B | 117 BPM | ||
| Ektuku Choya Lage | Mita Chatterjee, Rabindranath Tagore | D♭ Minor | 1 | 12A | 115 BPM | ||
| Ghum Bhulechhi Nijhum E Nishithe | S. D. Burman | E Major | 3 | 12B | 71 BPM | ||
| Aamaar Shadhna Mitilo | Anuradha Paudwal | A Minor | 4 | 8A | 82 BPM | ||
| Mone Mor Megher Shongi | Rezwana Chowdhuri Bonna, Sadi Mohammad | F♯ Major | 5 | 2B | 77 BPM | ||
| Ke Tomay Koreche | Kumar Sanu | B♭ Minor | 4 | 3A | 90 BPM | ||
| Ami Je Jalsaghare Stereo | Sandhya Mukherjee | G Major | 4 | 9B | 129 BPM | ||
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| Jai Bolo Baba Lokenather | Kumar Sanu | A♭ Major | 7 | 4B | 107 BPM | ||
| Maa Je Amar Bhubon Mohini | Amrik Singh Arora | F Major | 4 | 7B | 80 BPM | ||
| Bhaba Sagar Taran Karan He Gurubandana | Debendranath Mazumder | F Minor | 3 | 4A | 137 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM |