On 2011, the song "Jap Sacho Satram" was released by Das Hashmat, Master Fateh Ali. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. Because this song is the only song in Jap Sacho Satram and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Jap Sacho Satram is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jap Sacho Satram by Das Hashmat, Master Fateh Ali to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Varee Varee Vanja Pahenje Santan Ta | Das Hashmat, Master Fateh Ali | G Minor | 5 | 6A | 100 BPM | ||
| Maanush O Haeeya Janm Laeeya | Parikshit Bala | A Minor | 5 | 8A | 86 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM | ||
| Bhagat Ravidas Ji Di Baani Part (3) | Gurbani Vichar, Harpreet Singh | D Major | 6 | 10B | 100 BPM | ||
| मेरी नईया पड़ी है मजधार प्रभू इसे पार लगा देना | PK Official, Pandit Kamal Kishor | F♯ Minor | 9 | 11A | 92 BPM | ||
| Badshahitalya Tya Mukutatla | Milind Shinde | G Major | 4 | 9B | 87 BPM | ||
| Jagone Albela Kanha | Hemant Chauhan | F Major | 7 | 7B | 98 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Kaalni Vaato Kale Hari - From "Hit And Run" | Osmar Mir, Aditya Gadhvi, Shyamal Saumil, Tushar Shukla | F♯ Major | 7 | 2B | 78 BPM | ||
| Krishna Govind Govind | Master Rana | C Minor | 6 | 5A | 106 BPM | ||
| Shiv Aarti - Jai Hari Hara | Niranjan Pandya | F Major | 8 | 7B | 101 BPM | ||
| Dhola Chaanjla | Atta Ullah Khan Esakhelvi | F♯ Major | 7 | 2B | 110 BPM | ||
| Aa Re Dil Ka Koi | Niranjan Pandya | F♯ Major | 8 | 2B | 141 BPM | ||
| Paap Naash Evam Bhakti Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Valo Lageche Paghdi Valo | Farida Mir | D♭ Major | 7 | 3B | 146 BPM | ||
| Mai To Ramta Jogida | Niranjan Pandya | F♯ Major | 8 | 2B | 137 BPM | ||
| NAND JI NO LALO KANUDO | Nidhi Dholkiya | C Major | 5 | 8B | 117 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| LEHAR MA LILA LEHAR | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| KRISHNA NAM KE HIRE MOTI | Nitin Devka | F♯ Major | 6 | 2B | 153 BPM | ||
| Swaminarayan Hari Hari | Harikrishna Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Sadguru Maro Taran Har | Lalita Ghodadra | F Major | 8 | 7B | 101 BPM | ||
| Ae Sayaji Amane Dar To Lagyo Re Ek Dan | Damyanti Bardai | E Major | 6 | 12B | 174 BPM | ||
| Sadguruji Charno Ma Lejo | Raghuram Dudhrejiya | G Major | 7 | 9B | 142 BPM |