Bill Phillips's ' "Y'all Come Back Saloon" was released on its scheduled release date, June 26, 2020. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Y'all Come Back Saloon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 10 in American Portraits: Bill Phillips by Bill Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Y'all Come Back Saloon is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Y'all Come Back Saloon by Bill Phillips is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smokey Mountain Memories | MEL STREET | F Major | 6 | 7B | 114 BPM | ||
| Rose Colored Glasses | John Conlee | A♭ Major | 4 | 4B | 114 BPM | ||
| Do You Believe Me Now | Vern Gosdin | A♭ Major | 2 | 4B | 72 BPM | ||
| Thank God For the Radio | The Kendalls | D Major | 5 | 10B | 128 BPM | ||
| It's Such A Pretty World Today | Wynn Stewart | E Major | 5 | 12B | 118 BPM | ||
| Seein' My Father In Me | Paul Overstreet | E Major | 5 | 12B | 143 BPM | ||
| There Stands The Glass | David Ball | E Major | 5 | 12B | 108 BPM | ||
| You're The Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 3 | 11B | 98 BPM | ||
| Jones On The Jukebox | Becky Hobbs | D♭ Major | 4 | 3B | 146 BPM | ||
| Who Do You Know In California | Eddy Raven | A Major | 6 | 11B | 118 BPM | ||
| Skip a Rope | Henson Cargill | F♯ Minor | 5 | 11A | 146 BPM | ||
| Whiskey River | Johnny Bush | E Major | 6 | 12B | 135 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM | ||
| Only One You | T.G. Sheppard | E Minor | 6 | 9A | 95 BPM | ||
| Roll Big Wheels Roll | Vernon Oxford | E Major | 6 | 12B | 166 BPM | ||
| Wild Boar | Bill Phillips | F♯ Major | 0 | 2B | 100 BPM | ||
| A Week In A Country Jail | Tom T. Hall | A Major | 4 | 11B | 113 BPM | ||
| Fadin' In, Fadin' Out | Bill Phillips | D Major | 6 | 10B | 84 BPM | ||
| Fourteen Minutes Old | Doug Stone | E Major | 5 | 12B | 128 BPM | ||
| The New Never Wore Off My Sweet Baby | Dean Dillon | B Major | 4 | 1B | 138 BPM | ||
| A Million and One | Billy Walker | C Major | 3 | 8B | 74 BPM | ||
| Don't She Look Good | Bill Anderson | C Major | 4 | 8B | 110 BPM | ||
| Pittsburgh Stealers | The Kendalls | D Major | 3 | 10B | 172 BPM | ||
| The Yellow Rose | Johnny Lee (With Lane Brody) | F Major | 3 | 7B | 89 BPM | ||
| Do You Wanna Go to Heaven (Rerecorded) | T.G. Sheppard | D♭ Major | 4 | 3B | 90 BPM |