Rajhesh Vaidhya's ' "Enta Nerchina" was released on its scheduled release date, January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Thyagaraja Kritis - Veena". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Enta Nerchina is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Enta Nerchina by Rajhesh Vaidhya having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ennathavam - Ragam: Kapi / Talam: Adi (Papanasam Sivan) | Lalgudi G. Jayaraman | B♭ Minor | 3 | 3A | 73 BPM | ||
| Jagadhodhaarana | Sreevalsan J. Menon, Edappally Ajith Kumar, Robin Thomas | F Minor | 4 | 4A | 170 BPM | ||
| Sri Chakra Raja | Rajhesh Vaidhya | A♭ Major | 9 | 4B | 155 BPM | ||
| Ramasami Doothan (2023) [Live] | Sanjay Subrahmanyan | G Major | 7 | 9B | 168 BPM | ||
| Kaorage Violin Solo | Ranbir Thouna, Mani Bharathi | A♭ Major | 3 | 4B | 140 BPM | ||
| Senthamizh | Rajhesh Vaidhya | G Minor | 4 | 6A | 84 BPM | ||
| Chitta Chora Yashoda Ke Bal | Sri Sathya Sai Bhajans | D Major | 5 | 10B | 119 BPM | ||
| Saadhinchane - Aarabhi | Flute J A Jayant | D♭ Major | 5 | 3B | 122 BPM | ||
| Ganapathi Stuthi - Thilang - Adi | O.S. Arun, M.S. Sukhi | F♯ Major | 7 | 2B | 157 BPM | ||
| Konnokol Express -Thishra Jathi Adi Tala | Akshay Anantapadmanabhan, IndianRaga, Mahesh Raghvan, Manjunath B.C | A♭ Major | 9 | 4B | 114 BPM | ||
| Reetigowla & Kalyani - Episode 5 | Mahesh Raghvan, Shravan Sridhar, Mt Aditya Srinivasan, Flute Navin | C Major | 6 | 8B | 110 BPM | ||
| Jagadodharana - Kapi - Adi | Bhooshani Kalyanaraman | D♭ Major | 5 | 3B | 88 BPM | ||
| Manasa Sri Raama | N. Ramani | A♭ Major | 6 | 4B | 108 BPM | ||
| Gopala Gokula (Raga Vallabi Tulasi Dasa) | MadRasana, Sandeep Narayan, Sean Roldan | D Major | 7 | 10B | 110 BPM | ||
| Mangalam | Ranjani, Gayathri | A Major | 8 | 11B | 130 BPM | ||
| Merging Parallels | Apoorva Krishna, Varijashree Venugopal | E Minor | 6 | 9A | 79 BPM | ||
| Endaro Mahanubhavulu - Sri - Adi | Rajhesh Vaidhya, Tyagaraja | A Minor | 8 | 8A | 158 BPM | ||
| Laya Kavithai Rhythmic Poetry | Karaikudi Mani, T.A. Kaliyamurthy | A Minor | 8 | 8A | 123 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Tillana: Gi Ta Dhu Ni Ki | Vadya Lahari | A Major | 6 | 11B | 175 BPM | ||
| Tharuni Njan - Dvijavanthi - Misra Chapu | N. J. Nandini | A♭ Major | 4 | 4B | 132 BPM | ||
| Hari Hara Hari Nadha Lahari Krishna | Soundarya Lahari Creations | A Major | 5 | 11B | 100 BPM | ||
| Thillana - Dhanashree - Adi | Rajhesh Vaidhya | D Minor | 7 | 7A | 100 BPM | ||
| The Chase | Mani Sharma, Amit Heri, Selva Ganesh | E♭ Minor | 3 | 2A | 138 BPM | ||
| Dhanashree Thillana (Instrumental) | Peri Thyagaraju | G Minor | 7 | 6A | 100 BPM |