Rabia Sorda's 'Were Here to Win' had a release date set for November 28, 2014. Were Here to Win is explicit and may not be suitable for children. With the duration being about 3:50, this song is close to the average duration of a typical track. The song is number 3 out of 8 in Animales Salvajes by Rabia Sorda. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Were Here to Win is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Were Here to Win by Rabia Sorda is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tzdv | Faderhead | C Major | 7 | 8B | 125 BPM | ||
| Cursed - Single Version | Menschdefekt | A Major | 8 | 11B | 130 BPM | ||
| Humanity | Accessory | C Minor | 8 | 5A | 139 BPM | ||
| The Great Commandment | God Module | F Major | 10 | 7B | 130 BPM | ||
| This S*It Will Fcuk You Up | Combichrist | F Major | 10 | 7B | 95 BPM | ||
| Soylent Green | :Wumpscut: | C Minor | 9 | 5A | 122 BPM | ||
| The Shape of a Name | Rabia Sorda | D Major | 8 | 10B | 110 BPM | ||
| Rain | Project Pitchfork | G Major | 9 | 9B | 131 BPM | ||
| For the Sick and Disturbed | Agonoize | A♭ Major | 10 | 4B | 130 BPM | ||
| Obey Me! (Promises of Monsters) | Rabia Sorda | B♭ Minor | 10 | 3A | 179 BPM | ||
| Heile mich | Nachtmahr | B♭ Major | 10 | 6B | 120 BPM | ||
| Raise the Devil | Santa Hates You | G Major | 8 | 9B | 138 BPM | ||
| Radio Paranoia | Rabia Sorda | G Major | 9 | 9B | 130 BPM | ||
| Words in Scars | Rabia Sorda | E Minor | 9 | 9A | 125 BPM | ||
| The Heart of America | FGFC820 | A Minor | 10 | 8A | 138 BPM | ||
| Geist | Dioxyde | D Major | 9 | 10B | 95 BPM | ||
| Morbid Circus | Rabia Sorda | D♭ Major | 10 | 3B | 130 BPM | ||
| Meister Der Verbotenen Träume | Seelenkrank | D Major | 9 | 10B | 141 BPM | ||
| Perfect World | UnterArt | G Major | 10 | 9B | 150 BPM | ||
| Superstition | Siva Six | F♯ Major | 10 | 2B | 125 BPM | ||
| Chains of Love | Agonoize | D♭ Major | 9 | 3B | 125 BPM | ||
| Circle of Sadness | Wynardtage | G Major | 8 | 9B | 212 BPM | ||
| God's Blessing | [:SITD:] | F♯ Major | 10 | 2B | 120 BPM | ||
| Hang Him Higher | :Wumpscut: | G Minor | 9 | 6A | 118 BPM | ||
| Die Motherfucker Die | Suicide Commando | D♭ Minor | 10 | 12A | 135 BPM |