Warren Hill's 'Goodbye L.A.' had a release date set for October 10, 1994. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Truth". In this album, this song's track order is #8. The popularity of Goodbye L.A. is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Goodbye L.A. by Warren Hill having a BPM of 202 with a half-time of 101 BPM and a double-time of 404 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cruisin' | Jeff Golub | F♯ Minor | 4 | 11A | 78 BPM | ||
| 107 In the Shade | Alex Bugnon | D Minor | 4 | 7A | 149 BPM | ||
| Afterglow | Pamela Williams | F Minor | 6 | 4A | 114 BPM | ||
| Bermuda Nights | Gerald Albright | C Major | 9 | 8B | 172 BPM | ||
| Better Days | Everette Harp | G Minor | 4 | 6A | 83 BPM | ||
| In The City Life | Gota | G Major | 6 | 9B | 99 BPM | ||
| Waiting | Brian Simpson | F Minor | 5 | 4A | 68 BPM | ||
| Keepin' It Real | Joe McBride | G Major | 8 | 9B | 102 BPM | ||
| Sooner Or Later | The Sax Pack | F Minor | 8 | 4A | 120 BPM | ||
| At Last | Ronny Jordan | C Major | 6 | 8B | 91 BPM | ||
| Temple of Dreams | Jonathan Fritzén | A Minor | 3 | 8A | 84 BPM | ||
| From the Start | Steve Cole | A♭ Major | 6 | 4B | 107 BPM | ||
| Can We Talk? | Dean James | F Major | 5 | 7B | 172 BPM | ||
| Pacific Coast Highway | Nils | B Minor | 8 | 10A | 112 BPM | ||
| De-Stress Signal | Oli Silk | G Minor | 6 | 6A | 156 BPM | ||
| Sunday Cruise | Althea Rene | E Minor | 6 | 9A | 90 BPM | ||
| Passion Play | Andy Snitzer | B Minor | 5 | 10A | 138 BPM | ||
| Bedroom Eyes | Kilauea, Daniel Ho | D Minor | 4 | 7A | 94 BPM | ||
| Don't Mind If I Do | Joyce Cooling | C Major | 7 | 8B | 180 BPM | ||
| Wanna Get Closer | The Sax Pack | C Major | 7 | 8B | 109 BPM | ||
| Morningside | Bob Mamet | A♭ Major | 6 | 4B | 107 BPM | ||
| Seduction | Sam Riney | C Minor | 5 | 5A | 186 BPM | ||
| Smooth Operator | Greg Adams | F Minor | 5 | 4A | 111 BPM | ||
| Paula | Torcuato Mariano | A Major | 7 | 11B | 144 BPM | ||
| Can't Hide Love | Wayman Tisdale | F Minor | 6 | 4A | 78 BPM |