"Passage to the Ear (Pt. 1)" by Reiner Witzel had its release date on July 2, 2010. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Passage to the Ear (Pt. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Passage to the Ear". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Passage to the Ear (Pt. 1)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Passage to the Ear (Pt. 1) by Reiner Witzel having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waiting | Nils Landgren, Swedish Radio Symphony Orchestra | C Minor | 6 | 5A | 101 BPM | ||
| Basically It's All Quite Simple | Triosence | A♭ Major | 6 | 4B | 112 BPM | ||
| L’échappée | Vincent Segal, Stéphane Kerecki, Airelle Besson | D♭ Major | 1 | 3B | 84 BPM | ||
| Taika | Don Tone, Reiner Witzel, Mila Witzel | D Major | 8 | 10B | 82 BPM | ||
| Wine Garden | Ruben Gutierrez | A Minor | 5 | 8A | 169 BPM | ||
| Könntest Du Sie Mit Meinem Herzen Sehn - Rejazzed | Reiner Witzel, Iwan Harlan, Amores Tangos | D Major | 3 | 10B | 208 BPM | ||
| The Winner Takes It All | Hans Ulrik | C Minor | 6 | 5A | 101 BPM | ||
| Tranquil | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| HANGIN OUT IN SANYA | Travel Collective | D Major | 2 | 10B | 125 BPM | ||
| Torch | Nabou | C Minor | 6 | 5A | 101 BPM | ||
| BRP | César Cardoso, Óscar Graça, Demian Cabaud, Pedro Felgar | F Major | 4 | 7B | 82 BPM | ||
| Footprints | Reiner Witzel, Richard Beirach | F Minor | 5 | 4A | 105 BPM | ||
| Nobles y sentimentales | Marco Mezquida | D Major | 7 | 10B | 92 BPM | ||
| Eddie Told Me So | Bob Reynolds | C Minor | 6 | 5A | 101 BPM | ||
| Thank You, Mr. Brooks | Extreme Trio, Alex Sipiagin, Reiner Witzel, Claus Kießelbach | G Major | 2 | 9B | 112 BPM | ||
| Chances | Britta Virves, Jonas Bäckman, Jon Henriksson | D Major | 5 | 10B | 175 BPM | ||
| Domingo | Lucía Rey Trío | E♭ Major | 5 | 5B | 118 BPM | ||
| Moonbeam | Alfredo Rodriguez | C Major | 3 | 8B | 135 BPM | ||
| Song for My Mother | Adam Czerwinski, Darek Oleszkiewicz, Marcin Wądołowski, Alan Pasqua, Bob Sheppard | C Major | 4 | 8B | 136 BPM | ||
| Ode to a New Day | Martin Schack, Torben Bjørnskov, Chris Falkenberg | F Major | 3 | 7B | 104 BPM | ||
| Valencia Bilbao Granada | Vladimir Torres, Martin Schiffmann, Tom Moretti, Constantin Meyer, Hugo Diaz | F Minor | 5 | 4A | 107 BPM | ||
| Volver - Rejazzed | Reiner Witzel, Iwan Harlan, Amores Tangos | D Major | 3 | 10B | 208 BPM | ||
| The End of the Story | Janek Gwizdala | E♭ Minor | 0 | 2A | 85 BPM | ||
| UOT | Reiner Witzel, Manuel Requena | D♭ Major | 3 | 3B | 100 BPM | ||
| Fuse Number Eleven | Daniel Karlsson Trio | F Minor | 4 | 4A | 131 BPM |