Manabendra Mukherjee's ' "Taar Churite Je Rekhechhi Mon" was released on its scheduled release date, December 1, 1988. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 7 in Ami Eto Je Tomay Bhalobesechi by Manabendra Mukherjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Taar Churite Je Rekhechhi Mon is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Taar Churite Je Rekhechhi Mon by Manabendra Mukherjee is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Charano Dharite Diyo Go Aamare | Durnibar | F Minor | 2 | 4A | 110 BPM | ||
| Benimadhab Benimadhab | Lopamudra Mitra | A Major | 2 | 11B | 56 BPM | ||
| Arunkanti Ke Go Jogi | Manabendra Mukherjee | E Major | 2 | 12B | 75 BPM | ||
| Chader Hashi Badh Bhengeche | Rezwana Choudhury Bannya | G Minor | 3 | 6A | 130 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Thikana Na Rekhe Bhaloi Korechho | Haimanti Sukla | D Major | 3 | 10B | 141 BPM | ||
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Aaj Mone Hoi Ei Niralay | Satinath Mukherjee | F♯ Major | 3 | 2B | 120 BPM | ||
| Oi Je Aakasher Gaye | Akhil Bandhu Ghosh | C Major | 2 | 8B | 122 BPM | ||
| Ekhono Ei Raat Anek Baki | Manabendra Mukherjee | A Minor | 1 | 8A | 137 BPM | ||
| Godhuli Gagane | Debabrata Biswas | A Major | 1 | 11B | 80 BPM | ||
| Bagichay Bulbuli Tui | Manabendra Mukherjee | E Minor | 7 | 9A | 107 BPM | ||
| Jadi Jante Go Tumi | Manabendra Mukherjee, Salil Chowdhury | C Major | 6 | 8B | 160 BPM | ||
| Urdhya Gagane Baje Madal | Ila Basu, Utpala Sen, Krishna Chtterjee, Tarun Banerjee, Pratima Banerjee, Manabendra Mukherjee, Mrinal Ganguly | B♭ Major | 1 | 6B | 138 BPM | ||
| Ki Mishti Dekho Mishti | Sandhya Mukherjee | F♯ Minor | 5 | 11A | 104 BPM | ||
| Oi Malatilata Dole | Srabani Sen | F Minor | 3 | 4A | 145 BPM | ||
| Aamar Mon Kemon Kore | Indrani Sen | E Minor | 4 | 9A | 144 BPM | ||
| Ami Swapne Tomay Dekhechhi | Sandhya Mukherjee | E♭ Major | 1 | 5B | 67 BPM | ||
| Bou Katha Kao | Manabendra Mukherjee | B Minor | 5 | 10A | 107 BPM | ||
| Behula Bangla | Bhupen Hazarika | C Major | 3 | 8B | 143 BPM | ||
| Unke Dekhe Se | Jagjit Singh, Naseeruddin Shah | G Minor | 4 | 6A | 108 BPM | ||
| Shokatore Oi Kadite | Rezwana Choudhury Bannya | D♭ Major | 4 | 3B | 138 BPM |