Mark Cook's ' "In the Yard" was released on its scheduled release date, March 13, 2014. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. In the Yard's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Take Me Back Home (Styles 2 Collection)". In this album, this song's track order is #23. In terms of popularity, In the Yard is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With In the Yard by Mark Cook having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Takes a Real Man | Back Door Slam, Davy Knowles | D♭ Minor | 7 | 12A | 176 BPM | ||
| Ain't Got The Blues | Gary Cain | D♭ Major | 8 | 3B | 120 BPM | ||
| You Won't Have A Problem When I'm Gone | Chris Cain | A Minor | 9 | 8A | 180 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| Gittar School | Scott Henderson | B♭ Minor | 9 | 3A | 124 BPM | ||
| The Sledgehammer | Velvet Rae | F Minor | 9 | 4A | 144 BPM | ||
| Can’t Stop This Woman | Lance and Lea | A Major | 9 | 11B | 102 BPM | ||
| Honey | Paulo Mendonca | C Major | 9 | 8B | 167 BPM | ||
| Unlovable | Toronzo Cannon | A♭ Major | 9 | 4B | 146 BPM | ||
| My Kind of Woman | Tommy Castro | B Minor | 8 | 10A | 112 BPM | ||
| Blue Collar | Mark Cook | F Major | 7 | 7B | 105 BPM | ||
| Grace in Shadows | Stephen Mojo | E Major | 6 | 12B | 119 BPM | ||
| Cold Sweat | Boneshakers | D Major | 7 | 10B | 121 BPM | ||
| Rare Plus | Josh Smith | D Major | 7 | 10B | 129 BPM | ||
| Killing Floor | Bryce Janey | G Major | 7 | 9B | 92 BPM | ||
| Low Life | Justin Humphries, Gary McKay | A♭ Minor | 5 | 1A | 100 BPM | ||
| Goin Goin Gone | Hippies And Cowboys | D Minor | 10 | 7A | 142 BPM | ||
| Platform 19 | Toby Lee | C Major | 7 | 8B | 112 BPM | ||
| Miss Mercy | Michael Burks | A Major | 8 | 11B | 172 BPM | ||
| Elvis Talking (You Think It's Over But It's Not) | Blues Saraceno | B Major | 9 | 1B | 103 BPM | ||
| It Is What It Is...'Til It Ain't | Funkwrench Blues, Moses Mo | G Major | 4 | 9B | 131 BPM | ||
| Runaway Train | The Bros. Landreth | A Major | 8 | 11B | 152 BPM | ||
| Back When the Beano Was Boss | Buddy Whittington | G Major | 8 | 9B | 112 BPM | ||
| Don't Be a Fool | Simon McBride | F♯ Major | 9 | 2B | 118 BPM | ||
| A Lighter Sgade Of Plaid | Blues Saraceno | G Major | 9 | 9B | 131 BPM |