Far-Less's 'Garage Band Degree (Everyone Is Doing It, Why Aren't You?)' had a release date set for 2006. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 11 in Everyone Is Out To Get Us by Far-Less. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Garage Band Degree (Everyone Is Doing It, Why Aren't You?)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Garage Band Degree (Everyone Is Doing It, Why Aren't You?) by Far-Less is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Pretty (To Be A Zombie) | Far-Less | G Minor | 9 | 6A | 94 BPM | ||
| Wire Tap Out | Flee The Seen | E Minor | 10 | 9A | 80 BPM | ||
| Start & Pause | Hopesfall | F Major | 8 | 7B | 128 BPM | ||
| Did You Ever Have A Touch To Lose? | Inhale Exhale | G Major | 10 | 9B | 145 BPM | ||
| Misery Loves Company | The Wedding | D♭ Minor | 10 | 12A | 178 BPM | ||
| Falling Further | Spoken | B♭ Minor | 8 | 3A | 88 BPM | ||
| Sorry Seacrest It's Casey's Countdown | Burden Of A Day | E♭ Major | 10 | 5B | 125 BPM | ||
| Defect From Decay | Beloved | E Minor | 10 | 9A | 149 BPM | ||
| Without Regret | Akissforjersey | E Major | 10 | 12B | 86 BPM | ||
| You Waste Time Like A Grandfather Clock | The Myriad | B♭ Minor | 8 | 3A | 160 BPM | ||
| Parade | Ivoryline | D♭ Major | 9 | 3B | 170 BPM | ||
| Scorched Earth Policy | Far-Less | F Major | 9 | 7B | 97 BPM | ||
| Broken Hearts Unite | Far-Less | C Major | 10 | 8B | 100 BPM | ||
| Body Talk | My Epiphany | G Major | 9 | 9B | 180 BPM | ||
| Voids | Paulson | D Major | 5 | 10B | 133 BPM | ||
| The Jig Is Up | Edison Glass | D♭ Major | 10 | 3B | 132 BPM | ||
| Talk Is Cheap And I've Got Expensive Taste | Search The City | D♭ Major | 9 | 3B | 91 BPM | ||
| Breathe Underwater | Emanuel | D♭ Major | 9 | 3B | 123 BPM | ||
| Manipulate The Eclipse | Hopesfall | F Major | 8 | 7B | 128 BPM | ||
| Bitemarks And Bloodstains | Finch | D♭ Minor | 8 | 12A | 160 BPM | ||
| Put The City To The Sword | Here I Come Falling | A Major | 10 | 11B | 155 BPM | ||
| Into Your Arms | Beloved | D Major | 9 | 10B | 85 BPM | ||
| The Extortionist | Icarus The Owl | F♯ Major | 10 | 2B | 135 BPM | ||
| Break Blossom | As Tall As Lions | D♭ Major | 8 | 3B | 166 BPM | ||
| Redefining Automation | In Aviate | A Minor | 9 | 8A | 130 BPM |