Ian Whitcomb's ' "Brown Eyes- Why Are You Blue?" was released on its scheduled release date, November 17, 2005. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Sentimentally Yours". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Brown Eyes- Why Are You Blue? is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Brown Eyes- Why Are You Blue? by Ian Whitcomb having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Give Me A Night In June | 1923 Autopiano Player Piano | G Major | 3 | 9B | 100 BPM | ||
| Don't Ever Walk in the Shadows | Bud Flanagan, Chesney Allen | E Minor | 3 | 9A | 113 BPM | ||
| Black and White Rag | Jo Ann Castle | G Major | 3 | 9B | 120 BPM | ||
| Alexander's Ragtime Band (studio) | Ian Whitcomb, The White Star Orchestra | F Major | 2 | 7B | 147 BPM | ||
| Bells | The Beau Hunks | C Major | 1 | 8B | 115 BPM | ||
| Show MeThe Way to Go Home - 2003 Remaster | Mrs Mills | E♭ Major | 3 | 5B | 117 BPM | ||
| Comin' In The Back Door | The Baja Marimba Band | E♭ Major | 4 | 5B | 109 BPM | ||
| Memphis Blues | Johnny Maddox | F Major | 4 | 7B | 172 BPM | ||
| 1991 Theme - "Hills Are Alive" | Quaker City String Band | F Major | 5 | 7B | 114 BPM | ||
| I'm Looking Over a Four Leaf Clover | Jo Ann Castle | C Major | 8 | 8B | 116 BPM | ||
| A Room with a View | Noel Coward | G Major | 1 | 9B | 136 BPM | ||
| Honolulu Baby | The Beau Hunks | A Minor | 1 | 8A | 175 BPM | ||
| A Star of Great Prominence / Breakfast | Charlie Chaplin | D♭ Major | 3 | 3B | 184 BPM | ||
| Let Me Call You Sweetheart / A Bird In A Gilded cage (Old Tyme Waltz) | Phil Kelsall | F Major | 1 | 7B | 90 BPM | ||
| Third Man Theme | Guy Lombardo | C Major | 2 | 8B | 116 BPM | ||
| Pasquinade, Op. 59, RO 189 (Version for Piano 4 Hands) | Louis Moreau Gottschalk, Brady Millican, Eugene List | E♭ Major | 1 | 5B | 106 BPM | ||
| Dusty Bookshop | Notorious L.O.F.I. | C Major | 1 | 8B | 108 BPM | ||
| Chinatown, My Chinatown | Firehouse Five Plus Two | B♭ Major | 6 | 6B | 130 BPM | ||
| Waiting For The Robert E Lee | Claude Bolling | C Major | 5 | 8B | 131 BPM | ||
| Because My Baby Dont Mean 'Maybe' Now | Anne Dudley | F Major | 3 | 7B | 108 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| True Love | Cole Porter | G Major | 3 | 9B | 83 BPM | ||
| My Sweetheart | Walter Noack | G Major | 3 | 9B | 129 BPM | ||
| Humoreske; Op. 101 No. 7 | Antonín Dvořák, I Salonisti | F♯ Major | 1 | 2B | 88 BPM | ||
| A Touch of Class | Lars Ole Ganderup Payne | C Major | 3 | 8B | 171 BPM |