On 2009, the song "Dakota Party" was released by Marco Prince. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 20 in BO Mafiosa 2, une série d'Eric Rochant by Marco Prince. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Dakota Party's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dakota Party by Marco Prince is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sementa | Pasquale Catalano, Marco D’amore | D Minor | 1 | 7A | 166 BPM | ||
| Affaire personnelle | Guillaume Roussel | E Minor | 2 | 9A | 106 BPM | ||
| Research 7.3.1 | Rob | B Major | 4 | 1B | 165 BPM | ||
| Taxi | Harry Gregson-Williams | F Major | 2 | 7B | 154 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Tristesse de Martine et Générique fin | Georges Granier | F Minor | 3 | 4A | 81 BPM | ||
| Steps | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Strate 22.4 | Rob | G Minor | 2 | 6A | 116 BPM | ||
| Christine | Raf Keunen | E Minor | 2 | 9A | 150 BPM | ||
| Choice | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| The Good Liar | Carter Burwell | F Major | 1 | 7B | 88 BPM | ||
| First Journey | Nick Cave & Warren Ellis | C Major | 4 | 8B | 114 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| Nenia mediterranea | Franco Piersanti, Accademia Musicale Italiana | C Major | 3 | 8B | 171 BPM | ||
| Aquarelle | René Aubry | F♯ Minor | 4 | 11A | 99 BPM | ||
| Le baron noir | Evgueni Galperine, Sacha Galperine | C Major | 2 | 8B | 126 BPM | ||
| Désastre d'un amour | Marco Prince | C Minor | 5 | 5A | 140 BPM | ||
| Minaccia Telefonata N.2 | Ennio Morricone | A Major | 1 | 11B | 105 BPM | ||
| The Physician Suite | Ingo Ludwig Frenzel, Schirin Partowi | F Major | 1 | 7B | 141 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) | Budapest Symphony Orchestra | A Minor | 0 | 8A | 125 BPM | ||
| Wind River | Nick Cave & Warren Ellis | D Major | 4 | 10B | 119 BPM | ||
| Générique fin "My Name" | Ibrahim Maalouf | E Major | 1 | 12B | 77 BPM | ||
| Chabada Tango | Marco Prince | A Minor | 8 | 8A | 110 BPM | ||
| The Competition | Guy Farley | B Minor | 2 | 10A | 68 BPM |