Model 500's 'Standing in Tomorrow' had a release date set for 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in Digital Solutions by Model 500. Based on our statistics, Standing in Tomorrow's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Standing in Tomorrow by Model 500 is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Q1.1/Iii | Basic Channel | E Minor | 9 | 9A | 121 BPM | ||
| Nannytown | Underground Resistance | G Major | 8 | 9B | 132 BPM | ||
| Skyway (Marcel Dettmann Remix) - mixed | Infiniti, Marcel Dettmann | D♭ Major | 7 | 3B | 126 BPM | ||
| LFO - Leeds Warehouse Mix | LFO | D♭ Major | 9 | 3B | 125 BPM | ||
| Pulse State | The Future Sound Of London | A♭ Major | 6 | 4B | 124 BPM | ||
| Elevation, Pt. 2 (Reduced) | Vainqueur | G Major | 1 | 9B | 123 BPM | ||
| Vox Automaton | E.R.P. | D♭ Major | 8 | 3B | 133 BPM | ||
| Marbles | Plastikman, Richie Hawtin | G Major | 7 | 9B | 120 BPM | ||
| Encounter | Model 500 | E Minor | 5 | 9A | 101 BPM | ||
| We make Beats | Aux 88 | E Minor | 6 | 9A | 141 BPM | ||
| Cycle | Human Space Machine | G Major | 7 | 9B | 130 BPM | ||
| Nude Photo | Derrick May | G Major | 10 | 9B | 125 BPM | ||
| You Said You Want Me | The Other People Place | B♭ Major | 3 | 6B | 124 BPM | ||
| Aaah! | sun electric | G Major | 5 | 9B | 138 BPM | ||
| Stellar Awakening | CN | F Major | 6 | 7B | 122 BPM | ||
| Ten Days Of Blue | John Beltran | A♭ Minor | 6 | 1A | 131 BPM | ||
| Transport | Juan Atkins, Moritz Von Oswald | G Major | 1 | 9B | 128 BPM | ||
| At Last - mixed | Orlando Voorn | B Minor | 6 | 10A | 126 BPM | ||
| Infophysix | Dopplereffekt | B♭ Minor | 6 | 3A | 119 BPM | ||
| 303 Sunset | Galaxy 2 Galaxy | C Major | 8 | 8B | 115 BPM | ||
| Tan Ta Ra | LFO | F♯ Major | 6 | 2B | 110 BPM | ||
| Obsessed | B12 | A Minor | 4 | 8A | 126 BPM | ||
| The Dance | Derrick May | A♭ Minor | 10 | 1A | 129 BPM | ||
| M06a - Edit | Maurizio | B Minor | 8 | 10A | 123 BPM | ||
| No Red Stopping | Two Lone Swordsmen | A Minor | 6 | 8A | 142 BPM |