San Francisco Opera Association Orchestra, Giuseppe Di Stefano's 'Marta: "M'apparì tutt'amor" (Lionello)' had a release date set for February 28, 2000. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in San Francisco Opera Association Orchestra, Giuseppe Di Stefano's "Giuseppe Di Stefano: Gli Ospiti Radiofonici" album is number 6 out of 23. In terms of popularity, Marta: "M'apparì tutt'amor" (Lionello) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marta: "M'apparì tutt'amor" (Lionello) by San Francisco Opera Association Orchestra, Giuseppe Di Stefano to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| La traviata, Act I: Valzer: Che è ciò | Giuseppe Verdi, Renata Scotto, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 131 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | F Major | 0 | 7B | 86 BPM | ||
| La Gioconda / Act 2: E un anatema! | Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 2 | 7B | 170 BPM | ||
| Rigoletto: "Ella mi fu rapita… Parmi veder le lagrime" (Duca) | San Francisco Opera Association Orchestra, Giuseppe Di Stefano | F♯ Major | 2 | 2B | 99 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Il trovatore, Act III: Or co' dadi | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 158 BPM | ||
| Andrea Chénier: "La mamma morta" (Maddalena) | San Francisco Opera Association Orchestra, Giuseppe Di Stefano | B Minor | 2 | 10A | 64 BPM | ||
| La Bohème: "Sì, mi chiamo Mimì" | Giacomo Puccini, Jussi Björling, Gaetano Merola, San Francisco Opera Association Orchestra | D Major | 3 | 10B | 62 BPM | ||
| Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
| Rigoletto, Act I: Ah, veglia, o donna, questo fiore | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Eglė Šidlauskaitė, Francesco Demuro, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Concert Introduction (October 1, 1950) | San Francisco Opera Association Orchestra, Giuseppe Di Stefano | F♯ Major | 4 | 2B | 92 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act III: Non ve l'avevo detto? | Giacomo Puccini, Enrico Caruso, Antonio Scotti | C Major | 1 | 8B | 80 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 134 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | ||
| Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
| Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM |