"Puts: The Hours, Act 2: "For Alone You Are Holy…" (Chorus, Man Under the Arch) [Live]" by Kevin Puts, Yannick Nézet-Séguin, John Holiday, Metropolitan Opera Chorus, Metropolitan Opera Orchestra had its release date on April 26, 2024. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Puts: The Hours, Act 2: "For Alone You Are Holy…" (Chorus, Man Under the Arch) [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 2: "For Alone You Are Holy…" (Chorus, Man Under the Arch) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 2: "For Alone You Are Holy…" (Chorus, Man Under the Arch) [Live] by Kevin Puts, Yannick Nézet-Séguin, John Holiday, Metropolitan Opera Chorus, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| À Chloris | Reynaldo Hahn, Samuel Mariño, Jonathan Ware | D♭ Minor | 0 | 12A | 61 BPM | ||
| Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Maximilian Schmitt | D♭ Major | 2 | 3B | 121 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): II. Geometría Austral | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
| Quintet for Piano & Strings “The Red Snapper”: I. Molto adagio | Kevin Puts, Sandy Yamamoto, John Largess, Amy Levine-Tsang, Peter Lloyd, Gilbert Kalish | F Major | 1 | 7B | 76 BPM | ||
| Within Her Arms | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Caprice sur des motifs de l'opéra 'Le comte Ory', Op. 3: I. Andantino sostenuto | Adrien François Servais, Sol Gabetta, Victor Julien-Laferrière | A Major | 1 | 11B | 115 BPM | ||
| Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | F Major | 1 | 7B | 87 BPM | ||
| Engagement | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra, Markus Hohti | A Minor | 2 | 8A | 84 BPM | ||
| Contact: II. Codes. Scherzo | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | D Minor | 5 | 7A | 177 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| 5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) | Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | C Minor | 3 | 5A | 76 BPM | ||
| Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
| O nobilissima viriditas | Bryce Dessner, Barbara Hannigan, David Chalmin, Katia Labèque, Marielle Labèque | D Minor | 2 | 7A | 99 BPM | ||
| Handel: Serse, HWV 40, Act 1: Largo. "Ombra mai fu" (Serse) | George Frideric Handel, Jakub Józef Orliński, Michał Biel | F Major | 1 | 7B | 87 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Virgo Virginum | Andreas Scholl, Marco Rosano | E Minor | 1 | 9A | 68 BPM | ||
| Emily — No Prisoner Be: No. 13, "Hope" is the thing | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 1 | 7B | 87 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| Concerto per voci e strumenti: I. Furioso | Lepo Sumera, Amsterdam Sinfonietta, Candida Thompson, Netherlands Chamber Choir, Martina Batič | A Minor | 3 | 8A | 125 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
| Eternal Source of Light Divine | George Frideric Handel, Fair Oriana | B Major | 1 | 1B | 87 BPM | ||
| Copland: Old American Songs, Set 2: No. 1, The Little Horses | Aaron Copland, Jennifer Larmore, Antoine Palloc | A♭ Major | 2 | 4B | 81 BPM |