Ultratone's 'The Road' had a release date set for June 1, 2018. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Ultratone's "Mellow" album is number 6 out of 15. The Road is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Road by Ultratone to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Someday Soon | Chris and Thomas | G Major | 4 | 9B | 130 BPM | ||
| There From Here | Phosphorescent | B Major | 6 | 1B | 105 BPM | ||
| Frame It | Will Johnson | D Major | 3 | 10B | 98 BPM | ||
| What Good Am I? (feat. Frazey Ford) | Altameda, Frazey Ford | A♭ Minor | 8 | 1A | 115 BPM | ||
| Meet Me in the Back of Your Mind | The Arcs | C Major | 5 | 8B | 118 BPM | ||
| Pass It Along | Ultratone | C Major | 6 | 8B | 144 BPM | ||
| Swing On | Crushwater, Scott Sullivan | D Major | 8 | 10B | 108 BPM | ||
| My Heart of Wood | The Sadies | A Minor | 6 | 8A | 116 BPM | ||
| From Here To There | Jacksonport | D♭ Major | 3 | 3B | 62 BPM | ||
| All of Your Might | Jay Farrar | D Minor | 5 | 7A | 123 BPM | ||
| Out to Dance | Nathan Felix, Garrett T. Capps | C Major | 5 | 8B | 117 BPM | ||
| Root Systems | Great Lake Swimmers | G Minor | 0 | 6A | 116 BPM | ||
| Must Be Growing Up | Ole Kirkeng | G Major | 4 | 9B | 130 BPM | ||
| Racing Through the Night | Delaney Davidson | G Major | 4 | 9B | 179 BPM | ||
| We Thank You | Ultratone | G Major | 9 | 9B | 156 BPM | ||
| Hi | Winterpills | G Major | 3 | 9B | 135 BPM | ||
| Light and Darkness | Toby Judson | D♭ Major | 7 | 3B | 114 BPM | ||
| Summer Song | Quiet Hollers | G Major | 5 | 9B | 116 BPM | ||
| Bright Direction (You’re a Dark Star Now) | Hiss Golden Messenger | D Major | 5 | 10B | 85 BPM | ||
| You Called Me Kid | Pete Droge | C Major | 2 | 8B | 134 BPM | ||
| Long Since Gone | The Lost Trades | C Minor | 5 | 5A | 122 BPM | ||
| Hanging on to You | Jay Farrar | C Major | 4 | 8B | 93 BPM | ||
| Shake Shake | FLENDRIE + MOTH | G Major | 4 | 9B | 130 BPM | ||
| People Call Who They Wanna Talk To | David Ramirez | A♭ Major | 2 | 4B | 175 BPM | ||
| Call Him Daylight | Hiss Golden Messenger | E Minor | 3 | 9A | 126 BPM |