- BPM
- 78
- Key
- B♭ Minor
- Camelot
- 3A
Suite En Si Mineur: Gigue, II.90 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï Song Details
Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's ' "Suite En Si Mineur: Gigue, II.90 (Marais)" was released on its scheduled release date, January 1, 2003. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's "Marin Marais: Pieces De Viole Du Second Livre, 1701" album is number 22 out of 27. On top of that, Switzerland appears to be the country where this track was created. Suite En Si Mineur: Gigue, II.90 (Marais) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of Suite En Si Mineur: Gigue, II.90 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -14.272 dB
- Acousticness
- 94%
- Danceability
- 51%
- Energy
- 24%
- Instrumentalness
- 87%
- Liveness
- 12%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 76%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'Orfeo, Atto quinto: V. Moresca | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | G Major | 4 | 9B | 136 BPM | |
 | The Art of the Fugue, BWV 1080: Contrapunctus 1 | Johann Sebastian Bach, Hespèrion XX, Jordi Savall | D Minor | 1 | 7A | 58 BPM | |
 | Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | |
 | O Lux: Prosa - Flavit Auster (Codex De Las Huelgas, S. XIII) | Montserrat Figueras | C Major | 1 | 8B | 103 BPM | |
 | Diferencias Sobre La Guaracha (Mexique S. XVII) (Jordi Savall) | Jordi Savall, Arianna Savall, Ferran Savall, Pedro Estevan, Montserrat Figueras | G Major | 3 | 9B | 135 BPM | |
 | When She Cam Ben, She Bobbit / Kitty’s Wishes | James Oswald, Turlough O'Carolan, Les Musiciens De Saint-Julien, François Lazarevitch | D♭ Minor | 3 | 12A | 175 BPM | |
 | Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | |
 | The King of Denmarks Delight | Tobias Hume, Jordi Savall | G Major | 0 | 9B | 81 BPM | |
 | Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | |
 | Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | |
 | Passamezzo Moderno (Recercada II) | Diego Ortiz, Jordi Savall | G Major | 4 | 9B | 134 BPM | |
 | Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | |
 | The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | |
 | Ay, Que Non Ay! | Anonymous, Jordi Savall | F Major | 1 | 7B | 107 BPM | |
 | Courant Dolorosa À 4 Voc. Cantus IX | Jordi Savall, Samuel Scheidt | D♭ Minor | 1 | 12A | 75 BPM | |
 | Los set gotxs | Jordi Savall | E Minor | 4 | 9A | 96 BPM | |
 | Vespro Della Beata Vergine - Sonata Sopra Sancta Maria | Jordi Savall, Claudio Monteverdi | B Minor | 1 | 10A | 167 BPM | |
 | Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A Minor | 1 | 8A | 93 BPM | |
 | Sonata quarta in D Major: I. Ciaccona | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 95 BPM | |
| 3 Parts Upon a Ground, Z. 731 | Henry Purcell, Jordi Savall | D Major | 2 | 10B | 123 BPM | |
 | Le Badinage, IV.87 (Marais) | Jordi Savall | F Minor | 1 | 4A | 172 BPM | |
 | The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | |
 | invocation & Ductia | Traditional, Jordi Savall, Pedro Estevan | C Major | 3 | 8B | 74 BPM | |
 | Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | |
 | Troisième Leçon de Ténèbres | François Couperin, Jordi Savall | A Minor | 0 | 8A | 209 BPM |
- ISRC
- CH4210300059
- Label
- L-M Records/RCA Records