On January 26, 1950, the song "Too Marvelous for Words" was released by Jimmy Raney. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 38 out of 40 in Come, Come To Me! by Jimmy Raney. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Too Marvelous for Words is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Too Marvelous for Words by Jimmy Raney is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Days of Wine and Roses | The Art Farmer Quartet | C Minor | 1 | 5A | 117 BPM | ||
| Caution Blues (Blues In 3rds) | Johnny Hodges, Earl Hines | G Minor | 0 | 6A | 78 BPM | ||
| My All | Jimmy Giuffre | A♭ Major | 0 | 4B | 89 BPM | ||
| The Ray | Salma Del Sol | D Minor | 3 | 7A | 80 BPM | ||
| My Heart Stood Still - 1990 Remaster | Bud Powell Trio | C Major | 1 | 8B | 79 BPM | ||
| Up Blues | Hampton Hawes | C Major | 3 | 8B | 134 BPM | ||
| The New AGE | AGE, Gustav Lundgren, Adrien Sanchez, Édouard Pennes, Jean Dousteyssier, Guilhem Flouzat, Maxime Sanchez | G Major | 3 | 9B | 97 BPM | ||
| Late Session | Joseph Vany | G Minor | 0 | 6A | 53 BPM | ||
| Sweet and Lovely | Elmo Hope | C Major | 3 | 8B | 141 BPM | ||
| Empty Case Ensemble | Flow Tone | A♭ Major | 2 | 4B | 107 BPM | ||
| Classic Cozy Flow | Dolce Vita | C Major | 3 | 8B | 127 BPM | ||
| What's New | Jimmy Raney | G Major | 3 | 9B | 97 BPM | ||
| What Matters Stays | A Jazz Story | G Major | 3 | 9B | 97 BPM | ||
| Just Blue | The Don Rendell / Ian Carr Quintet | C Minor | 2 | 5A | 116 BPM | ||
| Embraceable You - 1990 Remaster | Bud Powell Trio | D Minor | 0 | 7A | 97 BPM | ||
| Lords of War | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| The Phineas Trane | Frode Kjekstad, Eric Alexander, Roy Powell, Frederik Villmow | G Major | 3 | 9B | 97 BPM | ||
| Masento | Blue Rectangles | B Minor | 0 | 10A | 84 BPM | ||
| Autumn Perc | Smooth Groove Atelier | C Major | 2 | 8B | 100 BPM | ||
| Cab Ride | Ella Blue | G Major | 3 | 9B | 97 BPM | ||
| Lover Man | Howard Roberts | D Minor | 2 | 7A | 114 BPM | ||
| Sharp Fall | Tom Rising | C Minor | 0 | 5A | 142 BPM | ||
| I'm Getting Sentimental Over You | Vinnie Burke, Al Cohn, Eddie Costa, Urbie Green, Jimmy Raney, Vinnie Burke All-Stars | F Major | 1 | 7B | 76 BPM | ||
| Port of Spain | Ed Bickert, Lorne Lofsky | G Major | 2 | 9B | 96 BPM | ||
| 317 East 32nd Street | Alan Broadbent Trio | G Major | 4 | 9B | 170 BPM |