On March 18, 1998, the song "Escalation #1" was released by Rie Tomosaka. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rie Tomosaka's "Live & Remix - Rie Tomosaka VS Eri Sakamoto" album is number 9 out of 10. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Escalation #1 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Escalation #1 by Rie Tomosaka to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ホントの気持ち | Miki Imai | A♭ Minor | 8 | 1A | 128 BPM | ||
| Lady Soul (Day-lite Version) | ACO | C Major | 4 | 8B | 170 BPM | ||
| Mama's alright - Remastered 2015 | YEN TOWN BAND | A♭ Major | 7 | 4B | 113 BPM | ||
| Brand New Wave Upper Ground | JUDY AND MARY | D Major | 10 | 10B | 121 BPM | ||
| GOTHIC RING | トライセラトップス | A♭ Major | 9 | 4B | 148 BPM | ||
| オアシス | bird | D♭ Major | 8 | 3B | 101 BPM | ||
| 人魚姫の夢 | Yumi Matsutoya | D Minor | 9 | 7A | 95 BPM | ||
| 終末 | ユウ | A Minor | 6 | 8A | 170 BPM | ||
| もうひとつの雨 one too many rain (one too many chocolat version) | Chocolat | G Minor | 7 | 6A | 153 BPM | ||
| 水中メガネ | Masamune Kusano | G Major | 7 | 9B | 91 BPM | ||
| Cheese"PIZZA"Large!! | JUDY AND MARY | A Major | 5 | 11B | 86 BPM | ||
| 悲しい歌 | ピチカート・ファイヴ | G Minor | 9 | 6A | 124 BPM | ||
| Might Fall In Love | LOVE PSYCHEDELICO | D Minor | 8 | 7A | 106 BPM | ||
| 白い花 | Fayray | A Minor | 8 | 8A | 172 BPM | ||
| 荒川小景 | Tomita Lab., Maaya Sakamoto | B Minor | 6 | 10A | 74 BPM | ||
| Mother Goose | Rie Tomosaka | E Major | 6 | 12B | 127 BPM | ||
| 輝く月が照らす夜 | Miyuki Hatakeyama | B Minor | 6 | 10A | 84 BPM | ||
| アルカディア | KIRINJI | B Minor | 8 | 10A | 173 BPM | ||
| summer sunset | Ryoko Hirosue | A♭ Major | 9 | 4B | 132 BPM | ||
| 雨は毛布のように | KIRINJI | A Minor | 8 | 8A | 128 BPM | ||
| 翳りゆく部屋 | NOKKO, フィリップ・セス・トリオ | C Major | 3 | 8B | 144 BPM | ||
| LET'S GO! | Original Love | G Major | 9 | 9B | 108 BPM | ||
| 東京喫茶 | CAPSULE | D♭ Major | 10 | 3B | 165 BPM | ||
| マーブル色の日 | Hitomi Yaida | C Major | 4 | 8B | 97 BPM | ||
| 幸せになりたい | Kohmi Hirose | G Minor | 6 | 6A | 200 BPM |