Clodagh Rodgers's 'That's The Way I've Always Heard It Should Be' had a release date set for September 28, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of You Are My Music... Best Of by Clodagh Rodgers. The song's track number on the album is #20 out of 22 tracks. Based on our statistics, That's The Way I've Always Heard It Should Be's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since That's The Way I've Always Heard It Should Be by Clodagh Rodgers has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With That's The Way I've Always Heard It Should Be being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SWEET TALKIN’ GUY | The Chiffons | E Major | 7 | 12B | 116 BPM | ||
| In the Country | Cliff Richard & The Shadows | D Major | 6 | 10B | 158 BPM | ||
| Bobby's Girl | Susan Maughan | G Major | 7 | 9B | 121 BPM | ||
| I'm Gonna Make You Love Me | Clodagh Rodgers | E♭ Major | 6 | 5B | 187 BPM | ||
| Hello Little Girl | The Fourmost | E Major | 8 | 12B | 164 BPM | ||
| I’M ALIVE | The Hollies | D Minor | 7 | 7A | 132 BPM | ||
| Please Tell Him That I Said Hello | Dana | F♯ Major | 4 | 2B | 131 BPM | ||
| Spider | Clodagh Rodgers | A♭ Major | 5 | 4B | 175 BPM | ||
| A Day Without Love | Love Affair | G Major | 5 | 9B | 130 BPM | ||
| Bachelor Boy - Remastered | Cliff Richard, The Shadows | D Major | 8 | 10B | 128 BPM | ||
| Sunday for Tea - Stereo; 2011 Remaster | Peter And Gordon | F Major | 4 | 7B | 62 BPM | ||
| Funny How Love Can Be | The Ivy League | C Major | 6 | 8B | 72 BPM | ||
| Come Softly To Me | The New Seekers | F Major | 4 | 7B | 114 BPM | ||
| Here It Comes Again | The Fortunes | E Major | 7 | 12B | 115 BPM | ||
| Dance On | Kathy Kirby | G Major | 7 | 9B | 121 BPM | ||
| No Arms Can Ever Hold You | The Bachelors | E♭ Major | 7 | 5B | 139 BPM | ||
| When My Little Girl Is Smiling | Jimmy Justice | G Major | 7 | 9B | 121 BPM | ||
| When Julie Comes Around | The Cuff Links | F Major | 7 | 7B | 165 BPM | ||
| That Girl Belongs To Yesterday | Gene Pitney | D Major | 6 | 10B | 122 BPM | ||
| Freedom Come, Freedom Go - Rerecorded | The Fortunes | G Major | 8 | 9B | 90 BPM | ||
| How About That | Adam Faith | E♭ Major | 3 | 5B | 143 BPM | ||
| What Do You Want to Make Those Eyes at Me for | Emile Ford & The Checkmates | F♯ Minor | 5 | 11A | 137 BPM | ||
| Forget Me Not | Eden Kane | E Major | 5 | 12B | 129 BPM | ||
| Dedicted to the One I Love | The New Seekers | G Major | 5 | 9B | 70 BPM | ||
| Until It's Time For You To Go | The Four Pennies | F♯ Major | 5 | 2B | 104 BPM |