Converge's 'Trophy Scars' had a release date set for October 24, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "No Heroes". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Trophy Scars is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trophy Scars by Converge having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enemies Closer | The Armed | D♭ Major | 10 | 3B | 101 BPM | ||
| The Hit | Daughters | D Major | 9 | 10B | 97 BPM | ||
| Skull Trophy | Gaza | A♭ Major | 10 | 4B | 105 BPM | ||
| Targets | Trap Them | G Major | 10 | 9B | 120 BPM | ||
| Negotiating the Charade | Touché Amoré | F♯ Minor | 9 | 11A | 131 BPM | ||
| Juggernaut | Cave In | A♭ Major | 10 | 4B | 155 BPM | ||
| C. Thomas Howell as the “Soul Man” | Botch | A Major | 9 | 11B | 145 BPM | ||
| Forever Scum | The Armed | A Major | 10 | 11B | 107 BPM | ||
| Five Years | Misery Signals | A♭ Major | 9 | 4B | 173 BPM | ||
| Terrifyer | Pig Destroyer | D♭ Minor | 10 | 12A | 134 BPM | ||
| O You Bright and Risen Angels | United Nations | E♭ Major | 10 | 5B | 105 BPM | ||
| Neck In The Hemp | Norma Jean | D♭ Major | 10 | 3B | 149 BPM | ||
| The Running Board | The Dillinger Escape Plan | B Major | 10 | 1B | 120 BPM | ||
| Reborn (An Execution) | Misery Signals | A♭ Major | 9 | 4B | 164 BPM | ||
| The Minus Times | ISIS | F♯ Major | 8 | 2B | 119 BPM | ||
| You Can't Kill Us All | Coalesce | D♭ Minor | 9 | 12A | 131 BPM | ||
| A Disgust For Details | Coalesce | F♯ Major | 9 | 2B | 169 BPM | ||
| Vertebraille: Choke That Thief Called Dependence | Norma Jean | A♭ Major | 10 | 4B | 103 BPM | ||
| Lycanthropy | Fear Before The March Of Flames | D Major | 9 | 10B | 180 BPM | ||
| All by the Constant Vulse | Trap Them | D♭ Major | 10 | 3B | 165 BPM | ||
| Loved Ones (excerpts from speeches of how great you were, and will never be again) | Poison The Well | F Major | 9 | 7B | 83 BPM | ||
| If These Scars Could Speak | Zao | G Major | 8 | 9B | 140 BPM | ||
| Your Arsonist | American Nightmare | A Major | 10 | 11B | 104 BPM | ||
| Kathleen Barbra | Zao | C Major | 8 | 8B | 131 BPM | ||
| Fucking Viva | Trap Them | C Major | 10 | 8B | 144 BPM |