On June 30, 1980, the song "Teri Kripa Ko Main Ne Paya" was released by Hari Om Sharan. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Sumiran". In this album, this song's track order is #6. Teri Kripa Ko Main Ne Paya is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Teri Kripa Ko Main Ne Paya by Hari Om Sharan having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Kahne Se Tar Jaayega | Prem Bhushan Maharaj | D Major | 4 | 10B | 139 BPM | ||
| Toote Na Preet Tihari | Hari Om Sharan | D♭ Major | 6 | 3B | 84 BPM | ||
| Pawanputra Is Ramdoot Ki Mahima Apaar | Babla Mehta | A♭ Major | 6 | 4B | 84 BPM | ||
| Darshan Do Ghanshyam | Manna Dey, Sudha Malhotra, Hemant Kumar | D♭ Major | 1 | 3B | 93 BPM | ||
| Jagadamba Ghar | Sharda Sinha | F Minor | 6 | 4A | 103 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Mujhe Tune Data Bahut Kuch Diya Hai | Shubhangi Joshi, Mahesh Hiremath | F♯ Minor | 3 | 11A | 110 BPM | ||
| Hum Bhi Akele Tum Bhi Akele | Asha Bhosle, Mohammed Rafi | F♯ Minor | 3 | 11A | 110 BPM | ||
| Ghazab Ho Gaya | Pankaj Udhas | C Minor | 6 | 5A | 146 BPM | ||
| Sab Ka Bhala Mere Ramji Karen | Hari Om Sharan | D♭ Minor | 5 | 12A | 97 BPM | ||
| Jinke Hriday Mein Hai Siyaram | Hari Om Sharan | E♭ Major | 6 | 5B | 165 BPM | ||
| Man Tadpat Hari Darshan Ko Aaj, From ''Baiju Bawra'' | Mohammed Rafi | E♭ Minor | 2 | 2A | 94 BPM | ||
| Humare Ram Aye Hai | Sonu Nigam | D Major | 5 | 10B | 143 BPM | ||
| Utaro Aarti Bholenath Ki | Asha Bhosle | D♭ Minor | 6 | 12A | 77 BPM | ||
| More Pichharwa | Chhannulal Mishra | B♭ Major | 2 | 6B | 81 BPM | ||
| Dwar Pe Thado Langooriya | Gyanendra Sharma | A♭ Major | 7 | 4B | 78 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | F♯ Minor | 3 | 11A | 110 BPM | ||
| Sunta Hai Guru Gyani - Kabir | Kumar Gandharva, Harmoniam | F Major | 3 | 7B | 75 BPM | ||
| Sab Sukhiyan ki khani | Rakesh Tiwari | E♭ Major | 7 | 5B | 154 BPM | ||
| Shri Panchmukhi Hanumat Kavacham | Shri Ravindra, Hari Om Sharan | D♭ Major | 2 | 3B | 75 BPM | ||
| Kuchh Yaad Karo Apna | Aziz Nazan Qawwal, Kalyanji-Anandji | F Major | 5 | 7B | 78 BPM | ||
| Ansoo | Dr. Kumar Vishwas | G Minor | 3 | 6A | 139 BPM | ||
| Vijali na Chamkare | NARAYANSWAMI | G Minor | 5 | 6A | 130 BPM | ||
| Samay Ka Khel Nirala | Mohammed Rafi | D♭ Major | 6 | 3B | 104 BPM |