Victor Feldman, Generation Band, Tom Scott's ' "Brazilia" was released on its scheduled release date, March 8, 1985. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Victor Feldman, Generation Band's "High Visibility" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Brazilia is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Brazilia by Victor Feldman, Generation Band, Tom Scott to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chronicles of the Exiled | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| Jamivore, Pt. XVI | Jazz Control | F♯ Major | 1 | 2B | 80 BPM | ||
| Emily - From The MGM Picture The Americanization Of Emily | Bill Perkins Quintet, Victor Feldman | B♭ Major | 1 | 6B | 107 BPM | ||
| Electrical pylons | raLoki | C Major | 6 | 8B | 110 BPM | ||
| Falling Through Quiet | Milan Drex | C Major | 6 | 8B | 110 BPM | ||
| Tiny's Blues | Frank Marocco, Al Hendrickson, Dave Koonse, Gary Foster, John Tirabasso, Victor Feldman | D♭ Major | 4 | 3B | 96 BPM | ||
| Mountain | raLoki | C Major | 6 | 8B | 110 BPM | ||
| La donna e' una cosa meravigliosa (Seq. 8) | Piero Piccioni | C Major | 6 | 8B | 169 BPM | ||
| Midnight moth | SwisUp | C Major | 6 | 8B | 110 BPM | ||
| Asphalt Prayers | renny 3l fantasma | B♭ Minor | 6 | 3A | 105 BPM | ||
| Wives And Lovers | Thad Jones, Pepper Adams Quintet | F Minor | 4 | 4A | 111 BPM | ||
| Sound Between Beams | Silas Moonray | C Major | 6 | 8B | 110 BPM | ||
| Tokyo Waltz | Tom Ollendorff, James Maddren, Conor Chaplin, Aaron Parks | A Major | 2 | 11B | 153 BPM | ||
| They Can't Take That Away from Me | Jimmy Deuchar, Victor Feldman, Sammy Stokes, Tony Kinsey | A♭ Major | 4 | 4B | 117 BPM | ||
| Listen Up | Jazz Pulse FM | G Minor | 2 | 6A | 152 BPM | ||
| On a Clear Day You Can See Forever | Clare Fischer | F Minor | 4 | 4A | 101 BPM | ||
| Lunham Bridges | Frank Marocco, Al Hendrickson, Dave Koonse, Gary Foster, John Tirabasso, Victor Feldman | F Major | 2 | 7B | 114 BPM | ||
| Velvet Rhythm | KnacK | G Major | 1 | 9B | 90 BPM | ||
| Come On Home | Victor Feldman, Generation Band, Tom Scott | C Major | 6 | 8B | 119 BPM | ||
| Cafe Lido | Victor Feldman, Generation Band, Tom Scott | C Major | 6 | 8B | 119 BPM | ||
| Low Lights, Warm Horns | Autumn Steps, Chelsea's Swing | C Major | 6 | 8B | 110 BPM | ||
| Presshouse Gimbal | Bang! Jazz Club | G Minor | 4 | 6A | 122 BPM | ||
| All Of Me | Duke Jordan | C Major | 6 | 8B | 110 BPM | ||
| Vibraciones Agrietadas | Cromatica nocturna | F Major | 4 | 7B | 107 BPM | ||
| Three In One | Chuck Redd | A♭ Major | 1 | 4B | 96 BPM |