Robert Cray, The Robert Cray Band's ' "Hip Tight Onions" was released on its scheduled release date, March 31, 2014. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Hip Tight Onions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Robert Cray, The Robert Cray Band's "In My Soul" album is number 8 out of 10. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Hip Tight Onions's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hip Tight Onions by Robert Cray, The Robert Cray Band to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into My Life | Bernard Allison | G Major | 9 | 9B | 90 BPM | ||
| The Move | Lonnie Mack | G Major | 9 | 9B | 139 BPM | ||
| Sidewards | Soul Jazz Express | D Major | 6 | 10B | 97 BPM | ||
| Gimme Somma Dat | Matt "Guitar" Murphy | A Minor | 7 | 8A | 157 BPM | ||
| Come To Mama | Koko Taylor | A♭ Major | 6 | 4B | 103 BPM | ||
| Funhouse | Danny Gatton | D Major | 8 | 10B | 96 BPM | ||
| Giving Up On Your Love | Lil Ed & The Blues Imperials | C Minor | 7 | 5A | 113 BPM | ||
| Just Like a Woman | Melvin Taylor | C Major | 5 | 8B | 128 BPM | ||
| Miami Strut | A.C. Reed | G Major | 9 | 9B | 108 BPM | ||
| blues on the blvd. | Dean Brown | G Major | 6 | 9B | 102 BPM | ||
| No, No Baby | Son Seals | F Major | 6 | 7B | 93 BPM | ||
| Blues Keep Chasing Me | Kenny Neal | F Major | 6 | 7B | 183 BPM | ||
| Trick Or Treat | The Robert Cray Band | B♭ Minor | 7 | 3A | 107 BPM | ||
| Bury You in a Paper Sack | Snooky Pryor | C Major | 7 | 8B | 106 BPM | ||
| It's My Pleasure | Eric Lindell | G Major | 8 | 9B | 90 BPM | ||
| It Came out of Nowhere | Damon Fowler | C Major | 6 | 8B | 116 BPM | ||
| Tuesday At 3 | Soul Jazz Express | B♭ Major | 4 | 6B | 69 BPM | ||
| Blues Is the Road | Snowy White, The White Flames | B♭ Major | 7 | 6B | 124 BPM | ||
| Velvet Spark | Claudio Corona, Connor Selby | A Minor | 8 | 8A | 93 BPM | ||
| Come On Up | Ronnie Baker Brooks, Felix Cavaliere, Lee Roy Parnell | B♭ Minor | 9 | 3A | 144 BPM | ||
| Wham Bam Thank You Sam | Ronnie Baker Brooks | B Minor | 7 | 10A | 93 BPM | ||
| Blues for Boo Boo | Kirk Fletcher, Kim Wilson, Janiva Magness, Finis Tasby | A♭ Major | 7 | 4B | 119 BPM | ||
| Put That Back | Eric Gales | A Major | 9 | 11B | 99 BPM | ||
| Say One Thing | Double Trouble | C Major | 7 | 8B | 102 BPM | ||
| Don't Keep Me Wondering | Buddy Miles | G Major | 6 | 9B | 95 BPM |