"Lay It on the Line" by Bart Crow had its release date on September 1, 2006. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 11 in Finally… by Bart Crow. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Lay It on the Line's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lay It on the Line by Bart Crow is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guts | Micky & The Motorcars | G Major | 8 | 9B | 126 BPM | ||
| Angel in the Devil's Hands | Chris Kleiber | A Major | 8 | 11B | 156 BPM | ||
| The Man in the Mirror (The Girl On the Plane) | The Damn Quails | G Major | 4 | 9B | 114 BPM | ||
| Sure Felt Like Goodbye | Zane Williams | A Major | 7 | 11B | 146 BPM | ||
| Down in Flames | Brandon Jenkins | A Major | 7 | 11B | 111 BPM | ||
| Be the Revival | Brandon Jenkins | F Major | 5 | 7B | 154 BPM | ||
| Maker | Cody Canada & The Departed | D♭ Minor | 6 | 12A | 87 BPM | ||
| Dog House Roses | Bart Crow | E♭ Major | 6 | 5B | 106 BPM | ||
| Promises in Pieces | Jason Eady | A Major | 2 | 11B | 86 BPM | ||
| Say It | Six Market Blvd. | D Major | 6 | 10B | 146 BPM | ||
| Long and Lonely Highway | Micky & The Motorcars | C Major | 5 | 8B | 132 BPM | ||
| Whiskey Bent & Hell Bound | Cooder Graw | G Major | 6 | 9B | 107 BPM | ||
| Black Horse Mesa | Paul Eason | E Minor | 6 | 9A | 114 BPM | ||
| The Table | Ryan Wilcox & The Sunday Shakes | D♭ Major | 4 | 3B | 113 BPM | ||
| I Just Can't Quit Loving You | Owen Temple | C Major | 7 | 8B | 90 BPM | ||
| Texas Angel | Honeybrowne | A Major | 5 | 11B | 76 BPM | ||
| Please | Erick Willis | G Major | 4 | 9B | 122 BPM | ||
| 14 Miles From Home | Six Market Blvd. | G Major | 6 | 9B | 103 BPM | ||
| One Horse (Radio Edit) [feat. Bart Crow] | Mark Allan Atwood, Brimstone, Bart Crow | C Major | 9 | 8B | 142 BPM | ||
| Sparks | Max Stalling | D Major | 2 | 10B | 115 BPM | ||
| Heat of the Wide Afternoon | Max Stalling | A Major | 5 | 11B | 113 BPM | ||
| All Nighter | Cody Canada & The Departed | C Major | 5 | 8B | 175 BPM | ||
| Somebody’s Trying To Steal My Heart | Kyle Park | G Major | 7 | 9B | 131 BPM | ||
| Rock Springs to Cheyenne | Micky & The Motorcars | G Major | 8 | 9B | 126 BPM | ||
| Rose In Paradise | John D. Hale Band | A Major | 5 | 11B | 164 BPM |