Robert Stringer's 'Gone' had a release date set for December 29, 2017. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Robert Stringer's "Lift" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Gone is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gone by Robert Stringer to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Sacrament Divine | The Palestrina Choir | E♭ Major | 1 | 5B | 109 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 70 BPM | ||
| Lute-Book Lullaby | Alexander L'Estrange, Tenebrae, Nigel Short | D♭ Major | 1 | 3B | 70 BPM | ||
| Let The Lower Lights Be Burning | Bliss, Ely Cathedral Choir, Paul Trepte | B♭ Major | 2 | 6B | 81 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Dancing Tree: No. 5, Spin Me a Web, Spider | John Rutter, The Cambridge Singers, Catrin Finch | E♭ Minor | 0 | 2A | 95 BPM | ||
| Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
| Sussex Carol | Christ Church Cathedral Choir of Men and Boys, Indianapolis | G Major | 3 | 9B | 76 BPM | ||
| Alma redemptoris mater | Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 0 | 5B | 64 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| Lux Aterna: Lux aeterna: O Nata Lux | Morten Lauridsen, BYU Singers, Ronald Staheli | G Minor | 1 | 6A | 133 BPM | ||
| He Will Come | John Bell, The Cathedral Singers | G Minor | 1 | 6A | 72 BPM | ||
| Child of the Stable's Secret Birth | Thomas Hewitt Jones, Choir of Clare College, Cambridge, Maud Millar | C Minor | 2 | 5A | 94 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Ave Maria for 4 Voices | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | D♭ Major | 3 | 3B | 138 BPM | ||
| The Joy of Love | The Choir of All Saints' Episcopal Church | E Minor | 1 | 9A | 76 BPM | ||
| Leid Milde Ljos | Nidarosdomens Guttekor | G Major | 1 | 9B | 81 BPM | ||
| Nativity Carol | Christ Church Cathedral Choir of Men and Boys, Indianapolis | D Major | 1 | 10B | 109 BPM |