Chu Kosaka's ' "主イエスの十字架の血で - 楽譜番号 赤本:174" was released on its scheduled release date, May 15, 2020. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ミクタムワーシップソング/グローリー!グローリー!, so we believe that "主イエスの十字架の血で - 楽譜番号 赤本:174" is a single. In terms of popularity, 主イエスの十字架の血で - 楽譜番号 赤本:174 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 主イエスの十字架の血で - 楽譜番号 赤本:174 by Chu Kosaka is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| パーティーを抜け出して | 井田リエ, 42nd Street | D♭ Major | 7 | 3B | 101 BPM | ||
| 身代わりのバディー | EPO | D Major | 6 | 10B | 118 BPM | ||
| SFO-OAKLAND | Hitomi Tohyama | C Major | 5 | 8B | 113 BPM | ||
| 二人の夏 | Shogo Hamada | D Major | 5 | 10B | 114 BPM | ||
| HOLD ME TIGHT | Rajie | G Major | 9 | 9B | 102 BPM | ||
| 聞け 我らの賛美 [楽譜番号 青本:109] | Chu Kosaka | C Major | 5 | 8B | 137 BPM | ||
| 土曜の夜は羽田に来るの | Hi-Fi Set | A♭ Major | 6 | 4B | 88 BPM | ||
| 荒涼 | Masataka Matsutoya, Taeko Onuki | G Minor | 1 | 6A | 83 BPM | ||
| グッド・ラック | Goro Noguchi | C Major | 8 | 8B | 113 BPM | ||
| 素敵なフィーリング | Rajie | E Major | 5 | 12B | 141 BPM | ||
| SHERRY | Chu Kosaka | B Minor | 5 | 10A | 131 BPM | ||
| 今夜はドラマティック | Tatsuhiko Yamamoto | A Major | 6 | 11B | 97 BPM | ||
| ノー・ノー・ボーイ | Hiroshi Kamayatsu | D Minor | 6 | 7A | 108 BPM | ||
| 昨日への手紙 | Off Course | G Major | 3 | 9B | 85 BPM | ||
| レディ・ヴァイオレッタ | 四人囃子 | D Major | 5 | 10B | 134 BPM | ||
| 忘れられた夏 | Yoshitaka Minami | C Major | 3 | 8B | 105 BPM | ||
| 海と少年 | Taeko Onuki | D Major | 7 | 10B | 105 BPM | ||
| HISのテーマ | HIS | C Major | 3 | 8B | 85 BPM | ||
| TAKAKO | Masaki Ueda | C Minor | 10 | 5A | 172 BPM | ||
| SAY GOODBYE | Hiroshi Sato | F Major | 7 | 7B | 111 BPM | ||
| サブタレニアン二人ぼっち - 2017 リマスター | Nanako Sato | D Major | 7 | 10B | 118 BPM | ||
| 恋するカレン | 大滝詠一 | E Major | 7 | 12B | 120 BPM | ||
| 真夜中のロックンロール・ダンス - 2017 リマスター | Nanako Sato | D Major | 4 | 10B | 128 BPM | ||
| 注ぎたまえ 主よ [楽譜番号 青本:120] | Chu Kosaka | B♭ Major | 4 | 6B | 63 BPM | ||
| PORT MERRY SUE | 西岡恭蔵 | E Minor | 1 | 9A | 88 BPM |