Russell Dickerson's ' "Come To Jesus" was released on its scheduled release date, December 4, 2020. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Southern Symphony". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Come To Jesus's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come To Jesus by Russell Dickerson having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Confetti | Gone West | C Major | 8 | 8B | 92 BPM | ||
| I Knew It Was You | Nick Wayne | G Major | 8 | 9B | 135 BPM | ||
| Real Love | Tyler Rich | A Major | 6 | 11B | 160 BPM | ||
| I Hope You Miss Me | Walker Hayes | D Major | 8 | 10B | 156 BPM | ||
| How Does It Sound | Dylan Schneider | G Major | 8 | 9B | 82 BPM | ||
| What It Meant To Lose You | Payton Smith | A♭ Minor | 9 | 1A | 101 BPM | ||
| Over All Over Again | James Barker Band | A♭ Major | 9 | 4B | 115 BPM | ||
| Twice | Dylan Scott | D♭ Major | 8 | 3B | 150 BPM | ||
| Right About Me | Nate Barnes | B Major | 9 | 1B | 101 BPM | ||
| Trouble Town | Jordan Davis | D♭ Major | 7 | 3B | 101 BPM | ||
| Why Can't It Be Over | CHASE WRIGHT | E♭ Minor | 6 | 2A | 164 BPM | ||
| Dreamed You Did | Jordan Davis | A♭ Major | 7 | 4B | 94 BPM | ||
| Old Lovers Don't Make Good Friends | Easton Corbin | A Major | 8 | 11B | 150 BPM | ||
| Lucky One | Justin Adams | D♭ Major | 7 | 3B | 82 BPM | ||
| Drive | CHASE WRIGHT | B♭ Minor | 8 | 3A | 144 BPM | ||
| Northern Star | High Valley | B♭ Major | 7 | 6B | 114 BPM | ||
| Doing Fine | Ryan Kinder, Sykamore | B♭ Minor | 8 | 3A | 144 BPM | ||
| Last Habit | Matt Stell | F♯ Major | 6 | 2B | 160 BPM | ||
| Right Girl | Dylan Schneider | A♭ Major | 8 | 4B | 80 BPM | ||
| Out of That Memory | Kyle Clark | B Major | 8 | 1B | 116 BPM | ||
| That's You | Drew Baldridge | A♭ Major | 8 | 4B | 144 BPM | ||
| Almost Maybes | Jordan Davis | B Major | 9 | 1B | 180 BPM | ||
| Sugar | ERNEST | F♯ Major | 8 | 2B | 94 BPM | ||
| Memorize You | Laine Hardy | F♯ Major | 7 | 2B | 156 BPM | ||
| First Line | The Roads Below | C Major | 5 | 8B | 138 BPM |