Why Are All the D'Ysquiths Dying - Reprise by Jefferson Mays, A Gentleman's Guide To Love And Murder Original Broadway Cast Song Details

On February 25, 2014, the song "Why Are All the D'Ysquiths Dying - Reprise" was released by Jefferson Mays, A Gentleman's Guide To Love And Murder Original Broadway Cast. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 23 in A Gentleman's Guide to Love and Murder (Original Broadway Cast Recording) by Steven Lutvak, Robert L. Freedman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Why Are All the D'Ysquiths Dying - Reprise is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

The tempo marking of Why Are All the D'Ysquiths Dying - Reprise by Jefferson Mays, A Gentleman's Guide To Love And Murder Original Broadway Cast is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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Popularity: 20%
Loudness: -10.981 dB
Acousticness: 88%
Danceability: 73%
Energy: 36%
Instrumentalness: 0%
Liveness: 34%
Loudness: 82%
Speechiness: 39%
Valence: 81%

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