On September 20, 2005, the song "Ball & Socket Lounge Music #2" was released by Bonejangles And His Bone Boys. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Tim Burton's Corpse Bride Original Motion Picture Soundtrack (U.S. Release)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, Ball & Socket Lounge Music #2's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ball & Socket Lounge Music #2 by Bonejangles And His Bone Boys having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Is It Soup Yet? | Michael Giacchino | G Major | 5 | 9B | 90 BPM | ||
| Driving | Hans Zimmer, Richard Harvey | E♭ Major | 2 | 5B | 130 BPM | ||
| Carnival Lament | Robert Austin | B Major | 2 | 1B | 110 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| Curious Feeling Of Falling | Thomas Newman | D Major | 1 | 10B | 89 BPM | ||
| The Book | Nicholas Hooper | C Minor | 0 | 5A | 90 BPM | ||
| It Could Even Happen to Flower - From "Bambi"/Score | Frank Churchill, Larry Morey, Ed Plumb | F Major | 1 | 7B | 103 BPM | ||
| Creepy Amusement Park | Derek Fiechter, Brandon Fiechter | A Minor | 4 | 8A | 132 BPM | ||
| Une autre valse | Pierre Adenot | A Minor | 0 | 8A | 129 BPM | ||
| Potential Clients | David Arnold, Michael Price | G Minor | 2 | 6A | 147 BPM | ||
| C'est la Vie (Music Box) | Karen Biehl | A Minor | 1 | 8A | 124 BPM | ||
| The Cat King | Yuji Nomi | C Minor | 2 | 5A | 81 BPM | ||
| The Asylum Opens | Emilie Autumn | G Major | 4 | 9B | 87 BPM | ||
| The Bird Girl | Circus Contraption | C Major | 1 | 8B | 168 BPM | ||
| Sunday / the Rat / Morning Paper | Oliver Wallace | G Major | 2 | 9B | 80 BPM | ||
| Nine Lives/Railroad Depot | George Bruns | G Minor | 1 | 6A | 144 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| This Is Me | Michael Giacchino | G Major | 1 | 9B | 92 BPM | ||
| Kaonashi (No Face) | Joe Hisaishi | F Minor | 3 | 4A | 160 BPM | ||
| Higitus Figitus (From "The Sword in the Stone"): Dégagé 6/8 Slow into Moderate12x8 [S] into 12x8 [M] | Ray Lindsey | C Minor | 1 | 5A | 104 BPM | ||
| Wonderbot Wash | John Powell | F Major | 5 | 7B | 135 BPM | ||
| (Original WEBTOON Soundtrack) Nevermore Episode 3 [Forever Hereafter] | Ele Soundtracks | F Minor | 2 | 4A | 171 BPM | ||
| The Coney Island Waltz | Andrew Lloyd Webber | A Major | 4 | 11B | 135 BPM | ||
| Practical Magic | Alan Silvestri | F Major | 2 | 7B | 74 BPM | ||
| The Good Curse | Mark Isham, Cindy O'Connor | F Minor | 1 | 4A | 66 BPM |