Dinah Washington's 'That's All There Is to That' had a release date set for February 19, 1959. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. That's All There Is to That's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What A Diff'rence A Day Makes! (Expanded Edition) by Dinah Washington. The song's track number on the album is #3 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of That's All There Is to That is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since That's All There Is to That by Dinah Washington has a tempo of 204 beats per a minute, the tempo markings of this song would be Prestissimo (even faster than presto). With That's All There Is to That being at 204 BPM, the half-time would be 102 BPM with a double-time of 408 BPM.The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Touch Of Your Lips | Chet Baker | A Minor | 1 | 8A | 109 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| Early Autumn | Anita O'Day, Marty Paich & His Orchestra | B♭ Minor | 0 | 3A | 124 BPM | ||
| There'll Be Another Spring | Monica Zetterlund | F Minor | 0 | 4A | 94 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| Save Your Love For Me | Nancy Wilson, Cannonball Adderley | E Minor | 0 | 9A | 174 BPM | ||
| In the Night | Dakota Staton | F♯ Minor | 2 | 11A | 78 BPM | ||
| I'm Coming Virginia | Barbara Lea | E♭ Major | 2 | 5B | 117 BPM | ||
| Since I Fell For You | Dinah Washington | F Minor | 2 | 4A | 71 BPM | ||
| Baby, Don't You Quit Now | Carol Sloane | G Minor | 0 | 6A | 185 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| East of The Sun (and West of The Moon) | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| Blue Moon | Carmen McRae | C Major | 3 | 8B | 116 BPM | ||
| A Sunday Kind Of Love | Dinah Washington | C Minor | 2 | 5A | 131 BPM | ||
| I've Got It Bad And That Ain't Good | Johnny Hodges, Billy Strayhorn | B♭ Major | 1 | 6B | 86 BPM | ||
| Everybody Knew But Me | Irene Kral | A Minor | 2 | 8A | 64 BPM | ||
| There Will Never Be Another You | Lester Young, Oscar Peterson Trio | F Minor | 2 | 4A | 131 BPM | ||
| Have You Met Miss Jones | Joe Williams | A♭ Major | 1 | 4B | 144 BPM | ||
| All The Way | Etta Jones | G Minor | 0 | 6A | 89 BPM | ||
| I Walk A Little Faster | Blossom Dearie | B♭ Major | 0 | 6B | 115 BPM | ||
| You Don't Know What Love Is | Dakota Staton | B Minor | 1 | 10A | 117 BPM | ||
| Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
| Fool That I Am | Etta James | D♭ Major | 1 | 3B | 102 BPM | ||
| Red Top | King Pleasure | A♭ Major | 2 | 4B | 116 BPM |