"Fake Plastic Trees" by Christopher O'Riley had its release date on May 5, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "True Love Waits (Christopher O'Riley Plays Radiohead)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Fake Plastic Trees is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fake Plastic Trees by Christopher O'Riley having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Celestial Glow | Kira Nebula | G Minor | 5 | 6A | 80 BPM | ||
| Tra Le Vie Della Città | Silvano Zanatto | A♭ Major | 2 | 4B | 149 BPM | ||
| High & Dry | Fake Plastic Creeps | A Major | 7 | 11B | 176 BPM | ||
| Basic String Quartet - Demo | J. Allen, Jack Allen, Shawdank | D Minor | 1 | 7A | 120 BPM | ||
| Into the Nighttime | Roger Louis Harmon | D Major | 3 | 10B | 90 BPM | ||
| The Quiet Things That No One Ever Knows | Jesse Lacey, Vincent Accardi, Sea Turtle Harmonic | F♯ Major | 4 | 2B | 164 BPM | ||
| Fortnight - Cello Version | Eva Brönner | B Minor | 3 | 10A | 192 BPM | ||
| Gatekeeper | Fauré Quartett | A Minor | 1 | 8A | 121 BPM | ||
| Fotzepolitic | Matt Haimovitz, Christopher O'Riley | E♭ Minor | 1 | 2A | 74 BPM | ||
| Le Grand Tango | Astor Piazzolla, Carter Brey, Christopher O'Riley | G Minor | 1 | 6A | 100 BPM | ||
| Roses are Red | Mike Bish | C Major | 1 | 8B | 100 BPM | ||
| Come As You Are | Redi Hasa | A Major | 1 | 11B | 66 BPM | ||
| Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
| Everything in Its Right Place | Brad Mehldau Trio | A♭ Major | 3 | 4B | 127 BPM | ||
| No Surprises | Noordpool Orchestra | F Major | 4 | 7B | 68 BPM | ||
| Ciao Mamma | Nicola Rizzuto | B♭ Major | 1 | 6B | 90 BPM | ||
| Cello Sonata in A Major, Op. 69 No. 3: III. Adagio contabile | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | E Major | 0 | 12B | 172 BPM | ||
| Mrs Jane | Jane Hastad | F♯ Minor | 0 | 11A | 96 BPM | ||
| Pohádka, JW VII/5 "Fairy Tale": II. Con moto | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| The Tourist | Christopher O'Riley | D♭ Minor | 1 | 12A | 80 BPM | ||
| Avril 14 | Richard James, Katia Labèque, Marielle Labèque | A♭ Major | 0 | 4B | 90 BPM | ||
| Don't Stop Me Now - Arr. for Piano by Francesco Parrino | Min-Jung Kym | F Major | 1 | 7B | 77 BPM | ||
| Good | Ellis Ryan | E Minor | 1 | 9A | 118 BPM | ||
| Northern Sky | Christopher O'Riley | F Minor | 1 | 4A | 88 BPM | ||
| Fake Plastic Trees | Ramin Djawadi | A Major | 1 | 11B | 147 BPM |