OperaBabes's ' "Bailero" was released on its scheduled release date, March 27, 2006. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Renaissance". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Bailero's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bailero by OperaBabes having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
| Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
| Britten : O Waly Waly | OperaBabes | G Major | 1 | 9B | 83 BPM | ||
| Les Filles De Cadix | IZZY | F♯ Minor | 3 | 11A | 117 BPM | ||
| When He Spoke My Name | Petra Berger | F♯ Minor | 5 | 11A | 166 BPM | ||
| Don’t Cry For Me Argentina | Amanda Holden | B Major | 4 | 1B | 131 BPM | ||
| Una Furtiva Lagrima | IZZY | A♭ Major | 2 | 4B | 90 BPM | ||
| Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
| Stabat mater: IV. Lament | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 1 | 8B | 170 BPM | ||
| All I Ask of You | Charlotte Jaconelli, Daniel Koek | D♭ Major | 2 | 3B | 114 BPM | ||
| L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
| The First Time Ever I Saw Your Face | Natasha Marsh, Craig Leon, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| Aedeus | Emma Shapplin | A Minor | 5 | 8A | 75 BPM | ||
| Nas fhaide na an Tìm (Beyond Time) | Lann na Mara | F Major | 5 | 7B | 80 BPM | ||
| Ombra Mai Fu | Yulia, George Frideric Handel | E Major | 4 | 12B | 124 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | F Major | 5 | 7B | 80 BPM | ||
| Ave Maria, Mater Misericordiae | Petra Berger | B♭ Minor | 5 | 3A | 140 BPM | ||
| If You Go Away | Yulia, Jacques Brel, McKuen | G Minor | 1 | 6A | 76 BPM | ||
| Tu Sei | Barbara Padilla | E Major | 3 | 12B | 71 BPM | ||
| A Safe Stronghold Our God Is Still (Ein Feste Burg) | Amici forever | E♭ Major | 2 | 5B | 119 BPM | ||
| Come What May (with The Tenors) | Jackie Evancho, The Tenors | G Major | 5 | 9B | 133 BPM | ||
| Il Canto | Romano Musumarra, Luciano Pavarotti, Orchestra di Roma | E Major | 4 | 12B | 126 BPM | ||
| Nei Tuoi Occhi (In the Mirror) | Yanni Voices | F Major | 4 | 7B | 75 BPM | ||
| Attesa | Sarah Brightman | G Major | 4 | 9B | 83 BPM | ||
| If Came The Hour | Petra Berger | B♭ Minor | 4 | 3A | 138 BPM |