Charlie Rich's ' "Why Don't We Go Somewhere And Love" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Why Don't We Go Somewhere And Love's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charlie Rich's "Love Songs" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. Why Don't We Go Somewhere And Love is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Why Don't We Go Somewhere And Love by Charlie Rich to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All the Gold In California | Larry Gatlin & The Gatlin Brothers | D Major | 4 | 10B | 113 BPM | ||
| Heartbreak U.S.A. | Kitty Wells | E Major | 3 | 12B | 117 BPM | ||
| Sugar Daddy | The Bellamy Brothers | E Major | 5 | 12B | 110 BPM | ||
| I'll Go To My Grave Loving You | The Statler Brothers | B♭ Major | 4 | 6B | 96 BPM | ||
| Baby Don't Get Hooked on Me | Mac Davis | A Major | 3 | 11B | 81 BPM | ||
| The Three Bells (Les Trios Cloches) | The Anita Kerr Quartet | G Major | 2 | 9B | 110 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| 'Til I Can't Take It Anymore | Charlie Rich | E♭ Major | 3 | 5B | 153 BPM | ||
| The Cold Hard Facts of Life | Porter Wagoner | C Major | 4 | 8B | 133 BPM | ||
| I Fell in Love Again Last Night | The Forester Sisters | D♭ Major | 5 | 3B | 107 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Is Anybody Goin' to San Antone | Charley Pride | D Major | 4 | 10B | 116 BPM | ||
| The Most Beautiful Girl In the World | Charlie Rich | G Major | 7 | 9B | 107 BPM | ||
| Making Believe | Kitty Wells | B♭ Major | 2 | 6B | 103 BPM | ||
| She's All I Got | Johnny Paycheck | D Major | 1 | 10B | 68 BPM | ||
| Four Strong Winds | Bobby Bare | G Major | 4 | 9B | 118 BPM | ||
| The Streets of Baltimore | Bobby Bare | E Major | 4 | 12B | 116 BPM | ||
| The Most Beautiful Girl | Charlie Rich | G Major | 3 | 9B | 103 BPM | ||
| A Sunday Kind of Woman | Charlie Rich | B♭ Major | 3 | 6B | 78 BPM | ||
| I'll Leave This World Loving You | Ricky Van Shelton | F Major | 3 | 7B | 87 BPM | ||
| Lonesome 7-7203 | Hawkshaw Hawkins | A Major | 3 | 11B | 115 BPM | ||
| She's Gone, Gone, Gone | Lefty Frizzell | G Major | 5 | 9B | 97 BPM | ||
| The Moon Just Turned Blue | JD Souther | D Major | 5 | 10B | 73 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| A Dear John Letter W / Ferlin Husky | Jean Shepard | B♭ Major | 3 | 6B | 130 BPM |