On January 26, 1950, the song "Cherokee" was released by Jimmy Raney. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Cherokee's duration is considered a little bit shorter than the average duration of a typical track. The song is number 39 out of 40 in Come, Come To Me! by Jimmy Raney. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cherokee is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Cherokee by Jimmy Raney is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bop Until You Vanish | Vivandis | A♭ Major | 3 | 4B | 145 BPM | ||
| Spectrum Brass Ensemble | Darin Coley | A♭ Major | 0 | 4B | 62 BPM | ||
| Sunset Groove Parade | The Sunny Sides | G Minor | 4 | 6A | 128 BPM | ||
| Silent Curve | Vivienne Porter | C Major | 0 | 8B | 166 BPM | ||
| A Window to Nowhere | León Areíto | D Minor | 7 | 7A | 193 BPM | ||
| Subway Stations | Jazz Pulse FM | G Minor | 3 | 6A | 97 BPM | ||
| Lover Come Back To Me! | Kenny Drew Trio | F Minor | 5 | 4A | 78 BPM | ||
| I Thought About You | Bobby Timmons Trio | C Major | 2 | 8B | 119 BPM | ||
| Silent Film | Dex Harmon | G Minor | 0 | 6A | 141 BPM | ||
| Before the Train | Kenneth James Trio | A♭ Major | 0 | 4B | 62 BPM | ||
| As Long As I Live | Eddie Daniels, Bucky Pizzarelli | F Minor | 1 | 4A | 91 BPM | ||
| Double Image | Jimmy Raney | A Minor | 0 | 8A | 75 BPM | ||
| Out In Quasimodo | Attila Zoller, Jimmy Raney | C Minor | 3 | 5A | 120 BPM | ||
| Approaching the Line | Croma Collective | A♭ Major | 0 | 4B | 62 BPM | ||
| Gentle Rain | Strings Jazzsmith | D Minor | 0 | 7A | 67 BPM | ||
| Silhouette Conservatory | Cubalibre Jazz | G Minor | 2 | 6A | 87 BPM | ||
| Laced With Love | Orión Natera | F Minor | 2 | 4A | 107 BPM | ||
| The Brookline Stop | Kenneth James Trio | A♭ Major | 0 | 4B | 62 BPM | ||
| Wrap Your Troubles In Dreams - Instrumental | Hampton Hawes, Harold Land, Scott LaFaro, Frank Butler | G Minor | 1 | 6A | 72 BPM | ||
| Caution Blues (Blues In 3rds) | Johnny Hodges, Earl Hines | G Minor | 0 | 6A | 78 BPM | ||
| Airport | TransferX | D♭ Minor | 2 | 12A | 130 BPM | ||
| Looks | VUMAHSOH | A♭ Major | 0 | 4B | 62 BPM | ||
| Rise of the Crescent Moon | Maceo Valiente | E Major | 3 | 12B | 130 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM | ||
| Rouge Reflections | Maison de Jazz | D Minor | 5 | 7A | 157 BPM |