José Larralde's ' "Entrerriano y Argentino" was released on its scheduled release date, July 7, 1996. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Trayendo Ayeres". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Entrerriano y Argentino is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Entrerriano y Argentino by José Larralde having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Canto Al Dogo | Sergio Sánchez | D Minor | 4 | 7A | 108 BPM | ||
| El Duende Del Bandoneon | Hermanos Toledo, Alfredo Abalos | D Minor | 5 | 7A | 205 BPM | ||
| Juan Moreira | Marcelo Miraglia | E Minor | 6 | 9A | 98 BPM | ||
| A Orillas del Olimar | Braulio López y Julio Victor, Julio Víctor Gonzáles | A Minor | 4 | 8A | 151 BPM | ||
| Chaltén | Hugo Gimènez Agüero | A Minor | 4 | 8A | 80 BPM | ||
| Se Nos Fue Dentro de las Uñas | Saul Huenchul | E Major | 4 | 12B | 76 BPM | ||
| El Poncho Lobuno | Héctor del Valle | G Minor | 1 | 6A | 89 BPM | ||
| Coplas por Milonga | Los Hermanos Cuestas | G Minor | 4 | 6A | 96 BPM | ||
| Abuelo | Hugo Giménez Agüero | A Major | 4 | 11B | 106 BPM | ||
| Mañanitas Camperas | Waldemar Lagos | G Minor | 3 | 6A | 135 BPM | ||
| Bajo el Tinglao | José Larralde | D♭ Major | 4 | 3B | 76 BPM | ||
| El Olvidado y el Vagabundo | Carlos Ramón Fernández | A Major | 6 | 11B | 112 BPM | ||
| Décimas al Camaruco | Saul Huenchul | E Minor | 2 | 9A | 83 BPM | ||
| Sin Mirar El Pelo | Héctor del Valle | D♭ Major | 2 | 3B | 85 BPM | ||
| El flete de mi destino | Juan Carlos Cupaiolo | A Minor | 4 | 8A | 81 BPM | ||
| El Brujo | Manuel Rosa | E Minor | 3 | 9A | 79 BPM | ||
| Los Indios de Ahora | Los Nachos | C Major | 6 | 8B | 157 BPM | ||
| Milonga Corralera | Omar Moreno Palacios | E Minor | 3 | 9A | 119 BPM | ||
| La Guitarra De Pancho Luna | Copla alta | F♯ Minor | 4 | 11A | 84 BPM | ||
| Con el Lenguaje del Mate | Héctor Del Valle | E♭ Major | 2 | 5B | 86 BPM | ||
| Pialando Miseria | Abel ivroud | E Minor | 5 | 9A | 90 BPM | ||
| El Manso | Carlos Ramón Fernández | E Minor | 4 | 9A | 84 BPM | ||
| Las dos Querencias | Braulio López y Julio Victor, Julio Víctor Gonzáles | F Minor | 3 | 4A | 130 BPM | ||
| Y No Cante Para Ti | Gustavo Guichón | E Minor | 4 | 9A | 143 BPM | ||
| Amontonando Cansancio | Jose Larralde | B♭ Major | 4 | 6B | 148 BPM |