Guido Mazzon's 'Double #1' had a release date set for December 14, 2010. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Double #1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 30 in Double by Andrea Centazzo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Double #1 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Double #1 by Guido Mazzon is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Improvisation #2 | 桑原あい, Shun Ishiwaka | A♭ Major | 4 | 4B | 74 BPM | ||
| Elegia | Guido Mazzon, Umberto Petrin | A♭ Major | 2 | 4B | 81 BPM | ||
| A Brief Conversation Ending In Divorce | David Sylvian | D Major | 1 | 10B | 70 BPM | ||
| Morning Song | Jakob Bro, Arve Henriksen, Jorge Rossy | E Minor | 0 | 9A | 71 BPM | ||
| Doctor 03 | Doctor 3, Danilo Rea | E Minor | 0 | 9A | 171 BPM | ||
| Trio (An Improvisation) | Steps Ahead | G Major | 0 | 9B | 130 BPM | ||
| Lament of the lambs | Ash Lee | A Minor | 1 | 8A | 110 BPM | ||
| Outrage At Valdez | Frank Zappa | B♭ Minor | 4 | 3A | 93 BPM | ||
| Reese - Original Version | Daniele Cavallanti, Guido Mazzon, Gruppo Contemporaneo | C Major | 4 | 8B | 112 BPM | ||
| Live At Vapore - Part 5 | Renato Geremia, Guido Mazzon, Tony Rusconi | B♭ Minor | 4 | 3A | 82 BPM | ||
| Peace Piece | Beppe Grifeo, Guido Mazzon, Tony Rusconi | A Minor | 0 | 8A | 50 BPM | ||
| Dark/Light 2 | Meredith Monk | F Minor | 0 | 4A | 166 BPM | ||
| Il colore delle stelle - Original Version | Guido Mazzon, Alberto Mandarini | D Major | 1 | 10B | 85 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| A Cloud to the Back | Sam Prekop | F♯ Major | 2 | 2B | 142 BPM | ||
| Softly As In A Morning Sunrise | Wolfgang Lackerschmid, Chet Baker | E♭ Major | 1 | 5B | 69 BPM | ||
| Right Here Right Now | Cosmic Ear | A Minor | 3 | 8A | 90 BPM | ||
| Strutto n. 1 (Solo tromba e collettivo) | Precarious Orchestra (Marc Charig, Renato Geremia, Radu Malfatti, Bruno Marini, Guido Mazzon, Mauro Periotto & Tony Rusconi) | A♭ Major | 7 | 4B | 72 BPM | ||
| Now Here (Nowhere) | Dave Holland Quartet | B♭ Minor | 1 | 3A | 81 BPM | ||
| Take As Many With Me As I Could | Daniel Hart, Bobak Lotfipour | F Minor | 3 | 4A | 66 BPM | ||
| Movement 2 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 1 | 5A | 36 BPM | ||
| Cycle In Mourning | Kalia Vandever | G Minor | 2 | 6A | 119 BPM | ||
| Drums Unlimited | Max Roach | A♭ Minor | 5 | 1A | 109 BPM | ||
| Look Up | Spafford Campbell | D Major | 3 | 10B | 117 BPM | ||
| Treetop Rock (Donkey Kong Country) | Jp_Beatz | G Major | 2 | 9B | 111 BPM |